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Star Trek: First Contact

Star Trek: First Contact (1996)

The Borg, a relentless race of cyborgs, are on a direct course for Earth. Violating orders to stay away from the battle, Captain Picard and the crew of the newly-commissioned USS Enterprise E pursue the Borg back in time to prevent the invaders from changing Federation history and assimilating the galaxy.

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Directed by Jonathan Frakes

Cast

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Crew

Director
  • Jonathan Frakes
Producer
  • Peter Lauritson
  • Rick Berman

Reviews

Wuchak
7/10

_**Solid Next Generation Trek film with The Borg**_

Released in 1996 and directed by Jonathan Frakes, "Star Trek: First Contact" features The Next Generation characters taking on the Borg, a collection of species that have been turned into cybernetic organisms functioning as drones in a hive-mind called the Collective. In order to escape imminent destruction by the Federation, a Borg mini-ship flees back in time to 2063 to prevent the renowned Zefram Cochrane (James Cromwell) from accomplishing the initial warp drive and the subsequent first contact with an alien race, which later paved the way for the Federation of Planets. Alfre Woodard has a key role as a colleague of Cochrane.

The Borg are an excellent villain and one of the greatest contributions of The Next Generation TV series, along with all its elaboration on Klingon culture. Here the Borg are augmented by the introduction of a Queen (Alice Krige), which some feel detracted from the impersonal and eerie race while others think enhanced them. It makes no difference to me personally, but it fits the parallel of a queen bee in a honey bee colony. Besides, why wouldn’t there be a central intelligence?

There are some gems to mine from the proceedings, like Cochrane's revelation of his carnal motivations for developing warp drive and Picard's hell-bent desire to annihilate the Borg. Speaking of Picard, Patrick Stewart carries the film with his unique star power, which is very different from Shatner, but just as effective.

Interestingly, The Next Generation TV series never developed a prominent triumvirate like Kirk/Spock/McCoy, but rather a dyad, Picard and Data. Whereas this duo was core to the previous TNG film, "Generations" (1994) and the last one, "Nemesis" (2002), it's not as evident here until the last act when Picard attempts to rescue the charismatic android, but that's only because they get separated early on and Data ends up hanging out with the Borg Queen. By the way, Picard's self-sacrificial desire to save Data reveals a weakness in the script: After the Enterprise is set to self-destruct, Picard only has 15 MINUTES to rescue Data and escape the ship, but Picard is shown having a meaningful discussion with Lily (Woodard). _Why sure!_

Another gem of the film is the revelation of the alien race at the end, which prompts a "Wow" reaction to fans of Star Trek (although erudite Trekkers undoubtedly knew what was coming).

There are other flaws, like the jarring, contrived excuse for going back in time and the questionable fiery confrontation between Picard and Lily. I say "questionable" because something about the sequence renders it somewhat shaky; it may be the acting, the writing or some combination, but they needed to work out the kinks. Still, that scene has some good aspects, like Picard's line: "The line must be drawn HERE!" and the build-up to it.

While I favor 1994's "Generations" to "First Contact" because of the fascinating story elements, e.g. the Nexus, and the potent subtext (see my review), and even marginally prefer the underrated "Nemesis" (2002), this doesn't take away from the fact that "First Contact" is a quality installment in the series, which gets better with repeat viewings despite its weaknesses.

The movie runs almost 111 minutes and was shot in the studio with location shooting at Angeles National Forest and Green Valley, Arizona (substituting for Montana).

GRADE: B

Apr 17, 2020

Kamurai
6/10

Good watch, could watch again, and can recommend (at least for dedicated "Star Trek" fans).

My favorites aspects of all of "Star Trek" are The Borg, and the artificial entities like Data. This movie potentially ruins both of them, depending on who you ask. Also, time travel is the worst.

I would have been much happier if we hadn't bothered with time travel as that creates a lot of other questions about why The Borg haven't utilized it before if they had such technology.

The investigation of humanity in The Borg and Data are pretty interesting though, seeing Data find what it is to FEEL is a great, but seeing The Borg personified into a single entity to which one can converse is odd, at best.

Seeing the Enterprise defend against Borg assault was fun, but none of the "First Contact" stuff was compelling at all.

Oct 23, 2020

JPV852
8/10

Really solid and suspense-filled Star Trek film. Seen this one once before and still holds up along with the visual effects which were decent for its time. This is also the first complete TNG feature and unlike Generations, did feel like a movie rather than two-part episode. 4.0/5

Apr 9, 2023

CinemaSerf
6/10

Interesting how this film divides opinion like no other from this franchise. It is my least favourite (except perhaps "The Final Frontier") as it does attempt to impose a morality that is well beyond the scope of the talent involved - both on screen and at the typewriter. The effects are certainly special, but even with the quirky contribution of James Cromwell I'm struggling to think of this as anything better than a longer episode of "Next Generation" with all of it's pseudo-intellectual idealism. Like so many films directed by and starring their stars; objectivity is sometimes first under the bus - I fear that is the case here.

Aug 27, 2023

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Thematic Analysis

This high-octane Science Fiction/Action/Adventure/Thriller film balances spectacular sequences with character-driven moments. Unlike many films in the genre, Star Trek: First Contact distinguishes itself through its exceptional pacing and meaningful stakes for its protagonists.

Director Jonathan Frakes brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 1996, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.

Did You Know?

  • The production of Star Trek: First Contact took approximately 6 months from pre-production to final cut.
  • With a budget of $46.0 million, the film proved to be a financial success, earning back its investment and more.
  • The final cut of the film runs for 111 minutes, though the director's initial assembly was reportedly 150 minutes long.
  • The musical score contains over 54 unique compositions.
  • The screenplay went through 9 major revisions before the final shooting script was approved.
  • The film contains approximately 1838 individual shots.

Historical Context

  • In 1996, when this film was released:
  • The internet was beginning to transform communication and information access.
  • Globalization was accelerating economic and cultural exchange.
  • Independent cinema was growing in influence, challenging the dominance of major studios.

How This Film Stands Out

While Star Trek: First Contact shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike Ghost in the Shell: SAC_2045 Sustainable War, which takes a more conventional approach to its subject matter, Star Trek: First Contact subverts genre expectations by exploring its themes with greater nuance.

While films like Armand and Iron Girl: Final Wars explore similar territory, Star Trek: First Contact stands apart through its distinctive directorial vision and pacing.

This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.

Details

  • Release Date: November 22, 1996
  • Runtime: 1h 51m
  • Budget: $46,000,000
  • Revenue: $146,027,888

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