Cast
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Oscarito
as Xenofontes
Eliana
as Regina
Cyll Farney
as Augusto
José Lewgoy
as Conde Verdura
Maria Antonieta Pons
as Lolita
Wilson Grey
as Domador de pulgas
Grande Otelo
as Miro
Colé Santana
as Piro
Renato Restier
as Cecílio B. de Milho
Roberto Faissal
as Cirollo
Dick Farney
as Ele mesmo
Nora Ney
as Ela mesma
Aurélio Teixeira
as
Blecaute
as
Carlos Alberto
as
Crew
Director
- José Carlos Burle
Writer
- Berliet Jr.
- Victor Lima
- José Carlos Burle
Reviews
Thematic Analysis
Carnaval Atlântida represents a fascinating example of Comedy/Music/Romance cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director José Carlos Burle brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1952, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Carnaval Atlântida took approximately 15 months from pre-production to final cut.
- The final cut of the film runs for 95 minutes, though the director's initial assembly was reportedly 150 minutes long.
- The screenplay went through 11 major revisions before the final shooting script was approved.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The film contains approximately 1376 individual shots.
Historical Context
- In 1952, when this film was released:
- The Cold War was intensifying, influencing global politics and culture.
- Television was becoming a dominant form of home entertainment.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Carnaval Atlântida shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Tristezas Não Pagam Dívidas, which focuses more on action than character development, Carnaval Atlântida subverts genre expectations by exploring its themes with greater nuance.
While films like Sonhando com Milhões and Pistoleiro Bossa Nova explore similar territory, Carnaval Atlântida stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: February 5, 1952
- Runtime: 1h 35m
