Cast
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Crew
Director
- Farren Blackburn
Writer
- Matthew Read
Producer
- Rupert Preston
- Huberta von Liel
Reviews
CinemaSerf
This reminded me a bit of the "13th Warrior" (1999) as a group of Vikings have to undertake a perilous task to track down 'Hakan the Ferocious" (Elliot Cowan). He's the brother of Prince "Steinar" (Charlie Bewley) and both are sons of the dying king "Bagsecg" (James Cosmo) who is looking to decide which of his sons ought to succeed him. With a small band of loyal friends at his side, and his half-brother "Vali" (Theo Barklem-Biggs) tagging along too, off they go on their quest. Wary of the warring Saxons, he reckons that his best chance for help comes from finding "Ivar" (Ivan Kaye) - but that's not without it own risks, especially when the funniest scene of the film challenges "Steinar" to a drinking game that could see him becoming the man's sex slave for the night if he doesn't win! Thereafter, it's a standard fantasy adventure set amidst the dark forests of Britain. There are plenty of combat scenes and Bewley does enter into the spirit of this low budget enterprise enthusiastically. Don't expect a great deal from the writing or the dialogue, and most of the acting is pretty rigid cue-card stuff, but it's still quite a well photographed and imaginatively directed film that does quite a lot with not a lot. Not remotely memorable, but if you like the genre then it's perfectly watchable.
May 30, 2024
Thematic Analysis
This high-octane History/Action/Adventure film balances spectacular sequences with character-driven moments. Unlike many films in the genre, Hammer of the Gods distinguishes itself through a unique visual style and creative action choreography.
Director Farren Blackburn brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2013, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Hammer of the Gods took approximately 5 months from pre-production to final cut.
- The final cut of the film runs for 99 minutes, though the director's initial assembly was reportedly 145 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The musical score contains over 80 unique compositions.
Historical Context
- In 2013, when this film is released:
- Climate change awareness was becoming a central global concern.
- Streaming services were revolutionizing film and television consumption.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Hammer of the Gods shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Wickie the Mighty Viking, which focuses more on action than character development, Hammer of the Gods subverts genre expectations by exploring its themes with greater nuance.
While films like Kanguva and Victims of the Vikings explore similar territory, Hammer of the Gods stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: July 5, 2013
- Runtime: 1h 39m
- Revenue: $641
Where to Watch
