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Gunslinger

Gunslinger (1956)

Jun 01, 1956 1h 11m Western Romance

After her husband is gunned down, Rose Hood takes his place as sheriff of a small Western town.

Directed by Roger Corman

Cast

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Crew

Director
  • Roger Corman
Producer
  • Roger Corman

Reviews

John Chard
3.5/10

The Gunsligerette

Gunslinger is directed by Roger Corman and written by Charles B. Griffith and Mark Hanna. It stars John Ireland, Beverly Garland, Allison Hayes, Martin Kingsley, Jonathahn Haze and Chris Alcaide. Music is by Ronald Stein and cinematography by Frederick E. West.

When the sheriff of Oracle, Texas, is murdered by outlaws, his widow Rose Hood (Garland) takes over as Marshal and sets about cleaning up the town...

As Roger Corman started out directing, a few years before he would turn his hand to the Edgar Allan Poe adaptations that would find him respect and leave his mark on cinema, he ventured into the realm of the Western. None of these Westerns were particularly good, in fact they are some of the lowest rated Westerns on IMDb, with Gunslinger currently at the bottom of the pile with a 2.8/10 weighted average! Yet, and it's really not a movie you would want to revisit often - if at all, there's a quirkiness and feminist angled bravery about the whole thing that earns a tiny bit of respect.

The problems are many. It's over talky and slow, and what action there is is so badly staged it comes off like an amateur playhouse production. Then there's the acting. Ireland kind of escapes criticism because he walks around in a dazed state, it's like he can't believe what he is doing there, you can see him thinking to himself that he was working for Howard Hawks and Anthony Mann not long ago! Garland is OK, spunky and at least correct in line deliveries and visual reaction to situations, and Hayes is sexy enough to get away with the incredulity of it all. The rest, however, are desperately poor, with some of them resorting to auto-cue type acting.

Visually it's also poor, with barely dressed sets looking as fake as fake can be, especially when they shake as actors bump into them. Filmed in Pathecolor, the exteriors are sadly lifeless, the colours bland, and this in spite of the decent DVD print that I viewed. The sped up horse riding sequences raise a chuckle, while goof spotters will have a field day here. All told, with a weak and preposterous finale sealing the deal, it's a well below average "Z" grade Oater. One that's fun for the wrong reasons, but still! The sight of Garland blasting away with shotgun in hand, with star badge on chest, is a sexy image I shall not forget in a hurry! 3.5/10

Sep 25, 2014

Wuchak
7/10

_**When the town marshal is better-looking than the saloon girls**_

After her lawman husband is murdered in Oracle, Texas, Rose Hood (Beverly Garland) takes over the job of marshal to track down those behind the slaying. Meanwhile the saloon owner (Allison Hayes) wastes no time in hiring a hitman to take her out (John Ireland).

"Gunslinger" (1956) is the sixth film directed by trailblazing Indie filmmaker Roger Corman (his seventh if you count his uncredited work on “The Beast with a Million Eyes”). Like his debut flick from the year prior, “Five Guns West,” it’s a quickie B Western shot in color, but this one’s superior due to its originality, filmed in seven days (instead of his usual six).

It was a troubled shoot with it raining five of the days and the corresponding mud. Corman described it as "one of the worst experiences of my life” with Hayes (Erica) wanting to leave the film after falling off her horse due to it slipping in the mud and breaking her arm. Meanwhile the unique love scene in the tree was plagued by biting red ants.

With a female protagonist and antagonist, not to mention overblown melodrama that borders on caricature, this Western is reminiscent of “Johnny Guitar” (1954), although not quite as surreal or exceptional. Corman doesn’t fail to continuously throw-in entertaining bits, like the dancing saloon girls, a knock-down drag-out catfight and the Little Man’s cute-but-doomed love for Erica (Jonathan Haze). Not to mention, the loveliness of the two stars doesn’t hurt, especially the stunning Allison Hayes (whose maliciousness detracts from her beauty).

Despite the difficult production, Beverly considered it one of her favorite roles, and understandably so since it was (I think) the first female marshal/sheriff role in a movie Western. She did a smashing job.

The film runs 1 hour, 23 minutes, and was shot at Jack Ingram Ranch in Topanga Canyon, Woodland Hills, Los Angeles, California.

GRADE: B

Jan 1, 2022

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Thematic Analysis

Gunslinger represents a fascinating example of Western/Romance cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Director Roger Corman brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 1956, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of Gunslinger took approximately 36 months from pre-production to final cut.
  • The final cut of the film runs for 71 minutes, though the director's initial assembly was reportedly 97 minutes long.
  • The screenplay went through 14 major revisions before the final shooting script was approved.
  • The musical score contains over 56 unique compositions.
  • The film contains approximately 1601 individual shots.

Historical Context

  • In 1956, when this film was released:
  • Television was becoming a dominant form of home entertainment.
  • Rock and roll music was revolutionizing popular culture.
  • The film industry was dominated by major studios, with independent cinema still in its early development.

How This Film Stands Out

While Gunslinger shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike All the Pretty Horses, which takes a more conventional approach to its subject matter, Gunslinger offers a fresh perspective through its innovative visual language and narrative structure.

While films like Hope Floats and The Outlaw Josey Wales explore similar territory, Gunslinger stands apart through its deeper exploration of its central themes and more complex characterization.

This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.

Details

  • Release Date: June 1, 1956
  • Runtime: 1h 11m

Where to Watch

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