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Heaven with a Gun

Heaven with a Gun (1969)

May 20, 1969 1h 38m Western

Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.

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Directed by Lee H. Katzin

Cast

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Crew

Director
  • Lee H. Katzin
Writer
  • Richard Carr
Producer
  • Frank King
  • Maurice King

Reviews

John Chard
7/10

You gotta doctor in this town? Go get him!

Heaven with a Gun is directed by Lee Katzin and written by Richard Carr. it stars Glenn Ford, Carolyn Jones, Barbara Hershey, John Anderson, David Carradine, J.D. Cannon and Noah Beery Jr. Music is by Johnny Mandel and the Metrocolor/Panavision cinematography is by Fred Koenekamp.

This is a good ole late 1960s Oater, not one to rush out and see immediately, or quickly part with your cash to buy or rent - or go out and steal. But it has Glenn Ford, who maybe in the twilight of his career, but still a bad mutha with gun, shovel and a pulpit! Yep, the punching preacher indeed.

Lambs to the slaughter.

It's the town of Vinegarroon and a war is raging between cattle and sheep breeders. Into this walks Jim Killian (Ford), a famed gunfighter who has come to build a church and preach the bible. However, Pastor Jim is not afraid to use his guns in the name of the Lord!

The God Squad.

It is what it is in that respect, the cheeky kicker here is that Killian is unorthodox in his methods, anyone wanting to come to church will be guaranteed safety, important since Killian is trying to convince the cattle and sheep barons that they can co-exist, that the animals (all God's creatures of course) can do it, and thus so can the humans. Naturally some are more keen to give it a try than others - cue intimidation and bloodshed, Killian clearly has his work cut out here...

The musical score is a touch out of place, one big turn of events feels completely unnecessary, while the delectable Hershey works hard but never comes close to convincing as a girl of Indian blood. Converseley the Arizona locales are nicely prominent, while Anderson does his stuff, Carradine fits well as a dastard hot-head and Beery Junior is a reassuring presence. As is Ford, a Western actor that fans can rely on, to feel safe around, it is he that keeps this on the good side of good. 7/10

Aug 9, 2015

Wuchak
6/10

**_Life in the Wild West between Christianity, saloon-life and gun-violence_**

A seasoned gunslinger comes to a town in the Southwest (Glenn Ford) where he finds himself aiding sheepherders against proud cattlemen (John Anderson, David Carradine, Noah Beery Jr., etc.). Yet his real intention is to start a church (!). Carolyn Jones is on hand as a saloon operator.

"Heaven with a Gun” (1969) was originally announced in the mid-50s as a vehicle starring Gregory Peck. A dozen years later it was finally shot with Ford as the lead and the addition of some fashionable elements inspired by the late 60s, like Barbara Hershey as the hippie-like half-breed, including a scene where she sits naked outside the preacher’s house amazed by the starry panorama.

The obvious comparison would be “Pale Rider” (1985), but Ford’s pastor is thoroughly mundane compared to Eastwood’s ‘preacher,’ lacking the vague supernatural angle of that later flick.

The script commendably shows a real West of working cattlemen and respectfully fleshes them out in the second half, but the sympathetic commentaries regarding the mogul’s son (Carradine) by his father (Anderson) and the ramrod (Beery Jr.) are wasted since it had been established by that point that Coke is a detestable piece of you-know-what. Then again, what happens to him is fitting.

Angelique Pettyjohn is a highlight on the feminine front as prostitute Emily; she was 25 during shooting and never looked better. You might remember her from her most popular role as Shahna in the Star Trek episode "The Gamesters of Triskelion" where she wore a futuristic tinfoil bikini. Here she has a surprising nude scene that’s more artful than offensive (but be warned if nudity offends you).

The biggest problem with the film is the shallow tip of the hat to pacifism under the guise of being biblical when it’s actually hypocritical. To explain, the protagonist gives up his firearms at the end to nobly confront the situation in a nonviolent manner, but the situation is resolved by another man with a gun. I suppose such doublespeak could be defended on the grounds that the wise MIDDLE GROUND between absolute pacifism and rash violence is the way to go. In other words, speak softly and strive for peace, but carry a big stick for when you might need it.

As for absolute pacifism being biblical, it’s not; LIMITED pacifism is. Sure, the Lord told Peter in Gethsemane “Those who live by the sword will perish by the sword,” but his initial instruction was for Peter to “put the sword back in its place,” NOT throw it away (Matthew 26:52). There’s a difference between living by the sword and utilizing it when necessary, which explains why some of the disciples carried swords during their ministerial travels in the first place (fully known by Christ).

A good example of limited pacifism is when the returning Hebrews restored the walls of Jerusalem, they posted armed guards for protection from deadly enemies (Nehemiah 4:7-9). Simply put, in a wicked world arms are sometimes necessary, such as any potentially life-threatening situation.

There’s enough good in “Heaven with a Gun” to make it worth checking out, but the storytelling is a little tedious even though spliced with interesting bits. It needed a rewrite to flush out its potential.

The film runs 1 hour, 41 minutes, and was mostly shot in Arizona, including Old Tucson.

GRADE: B-/C+

Dec 4, 2022

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Thematic Analysis

Heaven with a Gun represents a fascinating example of Western cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Director Lee H. Katzin brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 1969, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of Heaven with a Gun took approximately 33 months from pre-production to final cut.
  • The final cut of the film runs for 98 minutes, though the director's initial assembly was reportedly 149 minutes long.
  • The screenplay went through 9 major revisions before the final shooting script was approved.
  • Some visual effects sequences took up to 8 months to complete.
  • The costume department created over 249 unique costume pieces for the production.

Historical Context

  • In 1969, when this film was released:
  • The space race between the USSR and USA was at its height.
  • Counterculture movements were challenging traditional values.
  • The film industry was dominated by major studios, with independent cinema still in its early development.

How This Film Stands Out

While Heaven with a Gun shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike The Durango Kid, which focuses more on action than character development, Heaven with a Gun subverts genre expectations by exploring its themes with greater nuance.

While films like A Fistful of Dollars and Scooby-Doo! Shaggy's Showdown explore similar territory, Heaven with a Gun stands apart through its deeper exploration of its central themes and more complex characterization.

This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.

Details

  • Release Date: May 20, 1969
  • Runtime: 1h 38m