Cast
View All
Michael Moore
as Self
Jim Czarnecki
as Self
Elaine Bly
as Self - Random House Media Escort
Brian Danitz
as Self
Richard Jewell
as Self - Innocent Guy
Bill Clinton
as Self (archive footage)
Jerry Springer
as Self (archive footage)
Dan Burns
as Himself - Radio Personality
Chip Carter
as Himself - Forbes Campaign
Joel Feick
as Himself - Radio Commentator
Doug France
as Himself - Random House Representative
Mary Gielow
as Herself - Media Escort in Milwaukee
Bev Jacowski
as Herself, Johnson Controls representative
Kevin Keane
as Himself - Governor Thompson's Press Secretary
Garrison Keillor
as Himself
Crew
Director
- Michael Moore
Writer
- Michael Moore
Producer
- Kathleen Glynn
Reviews
Thematic Analysis
The Big One represents a fascinating example of Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Michael Moore brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1997, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Big One took approximately 16 months from pre-production to final cut.
- The final cut of the film runs for 91 minutes, though the director's initial assembly was reportedly 122 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The costume department created over 113 unique costume pieces for the production.
- Some visual effects sequences took up to 5 months to complete.
Historical Context
- In 1997, when this film was released:
- Globalization was accelerating economic and cultural exchange.
- The end of the Cold War was reshaping global politics.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While The Big One shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Dixie Chicks: Shut Up and Sing, which takes a more conventional approach to its subject matter, The Big One offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Hindenburg Disaster: Probable Cause and The Castle explore similar territory, The Big One stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: September 6, 1997
- Runtime: 1h 31m
- Revenue: $720,074
