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The Mummy: Tomb of the Dragon Emperor

The Mummy: Tomb of the Dragon Emperor (2008)

Archaeologist Rick O'Connell travels to China, pitting him against an emperor from the 2,000-year-old Han dynasty who's returned from the dead to pursue a quest for world domination. This time, O'Connell enlists the help of his wife and son to quash the so-called 'Dragon Emperor' and his abuse of supernatural power.

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Directed by Rob Cohen

Cast

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Crew

Director
  • Rob Cohen
Producer
  • Sean Daniel
  • Stephen Sommers
  • Bob Ducsay
  • James Jacks

Reviews

Gimly
3/10

From dumb fun to... regular dumb.

It's hard to find a point where _Tomb of the Dragon Emperor_ wasn't hampered by itself. Or a point where it makes any sort of logical sense. Unfortunate that is was no good, lending credence to the need of a reboot, which we now have, but wish we didn't.

_Final rating:★½: - Boring/disappointing. Avoid if possible._

Jun 21, 2017

John Chard
4/10

Not the same Mummy twice, nor thrice for that matter.

Well it's been pretty much universally panned has this third Brendan Fraser led instalment of the new age Mummy series. So lets not beat around the bush here, it's not very good, but it's hardly deserving of the 1/10 ratings it has been given by amateur on line reviewers.

The plot (for what it's worth) sees young Alex O'Connell, now amazingly a grown man in a short space of time, unearth evil old Chinese Emperor Han and his accursed Terracotta Army. Naturally some bonehead is going to bring him back from the dead, and naturally the now retired O'Connell's are forced back into their Mummy fighting ways. Can Rick, Evelyn and poor Jonathan save the day? Will Alex prove his credentials as the offspring of such daring-do parents? Will anybody care come the finale?

Rachael Weisz has (wisely) bailed and into her shoes comes a woeful Maria Bello, with fluctuating accents and zero chemistry with her leading man, Bello has undone the promise shown in World Trade Center & A History Of Violence. Steer clear of action movies dear. Fraser looks bored and can barely muster the energy to deliver the now tired and stilted lines. He admitted once that The Mummy 2 was basically a cheeky remake of the first film, quite what he has to say about this one I await with much interest. John Hannah is merely a bystander and it's probably the easiest money he will ever earn, an utter waste it be. Luke Ford does OK as Alex and Michelle Yeoh, Jet Li (the Emperor) & the beautiful Isabella Leong make do with what the unimaginative script gives them to do.

What saves the film from being a bottom of the barrel feeder is the action quota. Even though the spectre of poor CGI hangs around every corner, the sequences come thick and fast and they at least keep the blood pumping, thus stopping the audience themselves from drifting into a centuries long sleep. There's some good gags too (you will yearn for more of Liam Cunningham), while the choreography for the fights involving the Asian stars is not to be sniffed at. Stephen Sommers left the directors chair for this one, handing over to Rob Cohen, which explains why the film is more concerned with action accelerate over substance. But Sommers, who gave us a genuine genre delight with the first film, has a writing credit and was on production duties for this effort. I trust he now feels saddened by what his franchise has now become. 4/10

Apr 3, 2019

Wuchak
6/10

***High adventure in China, albeit totally overdone***

In 1946 Rick & Evy (Brendan Fraser & Maria Bello) are bored in their middle age in England and so take an assignment to China where they meet Evelyn's brother (John Hannah) and their son (Luke Ford) who has discovered the tomb of a tyrannical ancient emperor (Jet Li). Unfortunately, there’s a secret plot to resurrect the mummified remains of the Emperor and all hell naturally breaks loose. Michelle Yeoh and Isabella Leong are also on hand.

"The Mummy: Tomb of the Dragon Emperor" (2008) is an overblown action/adventure horror/comedy popcorn blockbuster, just like the first two flicks. It's not as good as “The Mummy” (1999), yet it's better than the unabsorbing “The Mummy Returns” (2001). Yes, it's overdone like the second one, but the story is more compelling.

While it's regrettable that Rachel Weisz opted out of this third film in order to be with her one year-old son, Maria Bello is a solid replacement and actually looks better in tight pants (as she's curvier and therefore more physically appealing).

Of course the film’s preposterous in the tradition of the previous two and the Indiana Jones flicks. But let's give credit where credit is due: “Tomb of the Dragon Emperor” bends over backwards to entertain with tombs, priceless artifacts, mummies, Shanghai, the Great Wall, the Himalayas, yetis, Shangri-La, zombies, a three-headed dragon and martial arts.

If you can get past the absence of Weisz and embrace Bello (which, let’s face it, isn’t that hard to do), this is easily the second best of the trilogy. Interestingly, Roger Ebert maintained that it was the best and he ain't no slouch when it comes to appraising pictures, whatever the genre. Yet my wife zeroed-in on the film’s flaw, which is the same as the previous flick: It tries too hard. It frantically throws in everything but the kitchen sink and is the lesser for it. (Yetis, seriously?)

The movie runs 1 hour, 52 minutes, and was shot in Buckinghamshire, England; Montréal, Québec; and China (Beijing, Shanghai, Inner Mongolia, Tianmo, Heng Dian, Dongguan & Terracotta Warriors Museum, Xi'an, Shaanxi).

GRADE: B-

Dec 8, 2019

r96sk
7/10

<em>'The Mummy: Tomb of the Dragon Emperor'</em> is the weakest of the trilogy, even if it does have arguably the best title of the three. I do think there is enough positive about it that it is worth watching, though admittedly the plot does feel threadbare - it's nowt enthralling either.

I do appreciate the refresh of sorts we get, however. It doesn't feel connected much to the prior installments, which I guess would be a negative for some (many?) but to me the lore change from Egyptian to Chinese (plus cities/mountains) made it slightly more interesting than a proper rehash would've.

The special effects are just about passable, probably better than the original two films - I should hope so too, given the time difference in release. With that said, I wasn't a big fan of the Yetis, they didn't quite work for me visually and also in terms of how they work with the plot.

Brendan Fraser returns, which is good. Jet Li (albeit as a lame character; not helped by the boring effects used for the Dragon Emperor) and Michelle Yeoh are welcomed additions, Yeoh is the standout in my opinion. Luke Ford is solid enough as Alex.

Maria Bello replaces Rachel Weisz, unfortunately. That's not a rejection of Bello, at all. More so that I dislike recasts and Weisz was perfect for the role, so any replacement was always going to fall short. Bello is an actress I do enjoy though and she herself is fine throughout.

I could very easily be rating this a notch lower, to be honest. For some reason, the rating I've chosen feels more befitting. It produces good and less than good things, the former just narrowly outdoes the latter.

Feb 19, 2025

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Thematic Analysis

This high-octane Adventure/Action/Fantasy film balances spectacular sequences with character-driven moments. Unlike many films in the genre, The Mummy: Tomb of the Dragon Emperor distinguishes itself through a unique visual style and creative action choreography.

Director Rob Cohen brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 2008, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of The Mummy: Tomb of the Dragon Emperor took approximately 6 months from pre-production to final cut.
  • With a budget of $145.0 million, the film proved to be a financial success, earning back its investment and more.
  • The final cut of the film runs for 112 minutes, though the director's initial assembly was reportedly 135 minutes long.
  • The film contains approximately 2044 individual shots.
  • The costume department created over 191 unique costume pieces for the production.
  • The screenplay went through 10 major revisions before the final shooting script was approved.

Historical Context

  • In 2008, when this film is released:
  • Digital technology was disrupting traditional media and entertainment.
  • The September 11 attacks changed global security and politics.
  • Digital filmmaking technologies were transforming production processes and creating new opportunities.

How This Film Stands Out

While The Mummy: Tomb of the Dragon Emperor shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike 10,000 BC, which focuses more on action than character development, The Mummy: Tomb of the Dragon Emperor subverts genre expectations by exploring its themes with greater nuance.

While films like Death March and Kung Fu Hustle explore similar territory, The Mummy: Tomb of the Dragon Emperor stands apart through its deeper exploration of its central themes and more complex characterization.

This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.

Details

  • Release Date: July 1, 2008
  • Runtime: 1h 52m
  • Budget: $145,000,000
  • Revenue: $403,449,830

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