Cast
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Catherine Deneuve
as Marion Steiner
Gérard Depardieu
as Bernard Granger
Jean Poiret
as Jean-Loup Cottins
Andréa Ferréol
as Arlette Guillaume
Paulette Dubost
as Germaine Fabre
Jean-Louis Richard
as Daxiat
Maurice Risch
as Raymond Boursier
Heinz Bennent
as Lucas Steiner
Sabine Haudepin
as Nadine Marsac
Christian Baltauss
as Lucien Ballard, Bernard's Replacement
Pierre Belot
as Desk Clerk
René Dupré
as Valentin
Aude Loring
as Mrs Wiedekind
Alain Tasma
as Marc, Jean-Loup's Assistant
Rose Thiéry
as Jacquot's Mother / Concierge
Crew
Director
- François Truffaut
Producer
- François Truffaut
Reviews
CinemaSerf
Despite, or possibly because of, the Nazi occupation of Paris in 1942 the theatres and cinemas of the city are thriving. One of the most popular was in Montmartre and run by the Steiners. Now he's a Jew so they decide it best he leaves for the Vichy and the theatre in the hands of his actress wife "Marion" (Catherine Deneuve). Rather aptly, they decide to present a new play called "the Disappearance" and draft in "Granger" (Gerard Depardieu) to co-star with "Marion" under the director "Jean-Loup" (Jean Poiret). Now it's fair to say that "Granger" is a bit of a womaniser - but the object of his desires here, who happens to be the costumier "Arlette" (Andréa Ferrêol), wouldn't touch him with a flagpole. Their best laid plans as a troupe is to survive what's left of the war in one piece, and with dangers around every corner as well as rationing, they have their work cut out. As the story develops, we come to realise that both "Marion" and her co-star have secrets to keep and their make or break production will also be seen by the arch anti-semite critic "Daxiat" (Jean-Louis Richard) who could readily undo all of their hard work and see them all on the scrapheap. There's loads of chemistry here and François Truffaut manages to inject some dark humour into an environment that's admittedly riddled with fear, but that also presents us with some insights into the lives of these artistes who compete, contrive and contrast with each other in just about every aspect of their daily lives. It's a film about bravery, courage and determination - often found in the least likely of places, and Deneuve offers us a powerfully engaging characterisation that epitomises the concept of less is more. It takes it's time, so settle down with a glass of decent Malbec and you ought to enjoy some talent at the top of their game.
Jul 25, 2024
Thematic Analysis
As a dramatic work, The Last Metro examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director François Truffaut brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1980, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of The Last Metro took approximately 14 months from pre-production to final cut.
- The final cut of the film runs for 131 minutes, though the director's initial assembly was reportedly 168 minutes long.
- The film contains approximately 2220 individual shots.
- The costume department created over 226 unique costume pieces for the production.
- The cast underwent specialized training for 2 weeks before filming began.
Historical Context
- In 1980, when this film was released:
- The Cold War was entering its final phase.
- Economic policies were shifting toward deregulation in many Western countries.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While The Last Metro shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Love at Twenty, which takes a more conventional approach to its subject matter, The Last Metro offers a fresh perspective through its innovative visual language and narrative structure.
While films like Nowhere in Africa and Meet the Parents explore similar territory, The Last Metro stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: September 17, 1980
- Runtime: 2h 11m
Where to Watch
