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The Crow: Wicked Prayer

The Crow: Wicked Prayer (2005)

May 04, 2005 1h 39m Action Horror Fantasy

After ex-con Jimmy and his girlfriend are brutally murdered by a biker gang, he is resurrected by the power of The Crow to avenge their deaths and reunite with her in the afterlife.

Directed by Lance Mungia

Cast

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Crew

Director
  • Lance Mungia
Producer
  • Jeff Most
  • Edward R. Pressman

Reviews

tmdb28039023
3/10

Sooner rather than later every franchise ends up, by design or accident, a parody of itself; The Crow: Wicked Prayer never stood a chance of avoiding this fate, but then what movie starring Eddie Furlong, David Boreanaz, Tara Reid, and Danny Trejo would? On the other hand, we have Dennis Hopper as a pimp named El Nino who says things like "You stole daddy's car keys, but you can't handle the horsepower," so it's not a total loss.

We know that the Crow, like the Dude, must face a gang of nihilists; in this case a multi-ethnic gang whose members each identify with one of the Four Horsemen: Luc 'Death' Crash, War (Marcus Chong), Famine (Tito Ortiz), and Pestilence (Yuji Okumoto).

None of them really do anything thematically tied to their noms de guerre, so I guess they just thought they sounded cool. By the way, in a group of characters with thematic names, sometimes one just doesn't fit the pattern (a trope known as Aerith and Bob); in this case that would be Lola (Reid), Luc's girlfriend.

Luc is the "leader of a satanic cult" whose "motive" is that his "father [was] killed by an Indian." This doesn't make much sense until we discover that Moses (Richard Cumba), the "Indian" who murdered Luc's father, is a priest of some religious denomination — Catholic in appearance but that allows its priests to marry and have children, and to which also belongs father Harold (Trejo), whose daughter Lilly (Emmanuelle Chriqui) is the girlfriend of Jimmy Cuervo (Furlong), who is on parole after serving a prison sentence for killing a rapist, who happened to be Moses’s son. It’s a small world, indeed.

War, Famine, Pestilence, and Lola help Luc escape from prison, and the five proceed to ritualistically murder Jimmy and Lilly; the rest, as they say, is history: Jimmy returns from the afterlife to exact revenge on his killers one by one, reserving for them such cruel and unusual punishments as death-by-bug zapper.

Oddly enough, no one besides Jimmy seems interested in pursuing the escaped convict whose gang leaves a trail of blood wherever they go. Then again, this is a movie that uses the word “Aztec” to refer to a Native American tribe.

All things considered, I’m tempted to believe that TC: WP's self-parody is intentional; for example, Luc offering his henchmen a banquet consisting of deviled ham, deviled eggs, and devil's cake “al flambeau”. I'm not saying it is to The Crow what Army of Darkness is to The Evil Dead but, incoherent or not, it's the only one apart from the original that’s even close to watchable.

Sep 4, 2022

r96sk
5/10

So ridiculous that it's kinda watchable.

<em>'The Crow: Wicked Prayer'</em> is not a good movie. However, it commits so hard to what it wants to do that I was kinda locked on to just see where it would go next. It particularly goes off the rails towards the conclusion, especially with David Boreanaz's Luc. There are many, many issues with this 2005 release, but I honestly didn't hate viewing it.

I think what helps (relatively speaking) is that there are quite a few familiar faces on the cast, which definitely keeps you watching - or it does for me, at least. You have the aforementioned Boreanaz, as well as Tara Reid, Danny Trejo and Dennis Hopper. Emmanuelle Chriqui is in there too. The main face that I didn't know of was actually Edward Furlong, who plays the titular character.

Furlong's performance isn't, like the film in general, anything worth praising. Again though, he proper goes for it so his onscreen presence never annoyed me. Nothing about this really irritated me to be honest, it's just plainly obvious from pretty much the get-go that the flick isn't anything all that good so I guess my expectations were low.

I'd rather rewatch this than <em>'The Crow: City of Angels'</em>, so that's something. Eager to now see how this year's reboot does things.

Sep 5, 2024

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Thematic Analysis

This Action/Horror/Fantasy film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. The Crow: Wicked Prayer presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.

Director Lance Mungia brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 2005, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of The Crow: Wicked Prayer took approximately 24 months from pre-production to final cut.
  • With a budget of $8.0 million, the film represented a significant investment in bringing this story to the screen.
  • The final cut of the film runs for 99 minutes, though the director's initial assembly was reportedly 127 minutes long.
  • Several scenes were filmed in multiple locations to capture the perfect setting.
  • The musical score contains over 38 unique compositions.
  • Some visual effects sequences took up to 10 months to complete.

Historical Context

  • In 2005, when this film is released:
  • The September 11 attacks changed global security and politics.
  • Environmental concerns were becoming more mainstream.
  • Digital filmmaking technologies were transforming production processes and creating new opportunities.

How This Film Stands Out

While The Crow: Wicked Prayer shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike Afterlife of the Party, which takes a more conventional approach to its subject matter, The Crow: Wicked Prayer subverts genre expectations by exploring its themes with greater nuance.

While films like Candyman and House of Flying Daggers explore similar territory, The Crow: Wicked Prayer stands apart through its distinctive directorial vision and pacing.

This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.

Details

  • Release Date: May 4, 2005
  • Runtime: 1h 39m
  • Budget: $8,000,000

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