Cast
View AllRobert Carlyle
as Donald Harris
Rose Byrne
as Scarlet
Jeremy Renner
as Sergeant Doyle
Mackintosh Muggleton
as Andy
Imogen Poots
as Tammy Harris
Harold Perrineau
as Flynn
Catherine McCormack
as Alice
Idris Elba
as General Stone
Amanda Walker
as Sally
Shahid Ahmed
as Jacob
Garfield Morgan
as Geoff
Emily Beecham
as Karen
Jordan El-Balawi
as Boy in Cottage
Meghan Popiel
as DLR Soldier
Stewart Alexander
as Military Officer
Crew
Director
- Juan Carlos Fresnadillo
Producer
- Allon Reich
- Enrique López Lavigne
- Andrew Macdonald
- Bernard Bellew
Reviews
Andres Gomez
Much worse than the original. It loses quite of the continuous tension. Many of the FX are bad quality. The script is really predictable and some scenes and conversations are too much of a cliche.
Feb 6, 2015
talisencrw
This was a very good sequel to a fine zombie work (my favourite zombie film is STILL Jean Rollin's remarkable and extremely aesthetically-pleasing 'The Grapes of Death'), and I was very pleasantly surprised. Pardon the pun, but you would think that by this time, everything in the land of zombie movies would have been done to death, but I remain consistently admiring of just where the best and most thought-out renditions of the template can go. In THIS case, the most intriguing dynamic is a cowardly husband choosing his life rather than helping his wife out of a horrible crisis, then infanticide (or worse) of his own children, rather than face their wrath over the poor decision he had made.
It's interestingly hilarious that when you think about it, humanity is doomed because a 12-year-old had to go back and get a picture of his mother, because he was afraid that without it, he would forget what she looked like...A surprisingly satisfying work, that for horror fans, is worth a purchase and rewatching. I'm admittedly more for classic films, from the 20's to 60's, but for contemporary horror cinema, I liked this a lot, especially Jeremy Renner and Imogen Poots. It's no surprise to me that they soon became superstars.
Jul 21, 2016
John Chard
We have an outbreak of the infection in medical center. All units; safeties off.
28 Weeks Later is directed by Juan Carlos Fresnadillo who also co-writes with Rowan Joffe, Jesus Olmo and E. L. Lavigne. It stars Robert Carlyle, Rose Byrne, Jeremy Renner, Harold Perrineau, Catherine McCormack, Mackintosh Muggleton and Imogen Poots. Music is by John Murphy and cinematography by Enrique Chediak.
Six months have passed since the Rage Virus decimated the UK, but now people are returning to London's District 1 with the U.S. Military overseeing the project. However, the Rage Virus can be carried in people with no outward symptoms.
After the monster success of "28 Days Later" it was inevitable that a sequel would follow. With director/writer combo Danny Boyle and Alex Garland off making "Sunshine" with Cillian Murphy, the big players from the first film were missing (Boyle and Garland were Executive Producers here). There was reasonable cause for some concern that this would be the latest in a long line of horror sequels that, quite frankly, suck the big one. How great to find that not only is "Weeks" an excellent sequel, it also doesn't sit idle and copy Boyle's winning formula.
The blood and ick factor is considerably amped up, as is the action (there's running, lots of running, guns, lots of guns, panic, lots of panic), but the writers have put intelligence into the writing by expanding on the Rage Virus victims as not just being an outwardly ferocious beast, and some topical smarts are spliced into the narrative with the presence of the American military "enforcing" the reconstruction of London. Also, with the film's central focus being on a splintered family, brilliantly set up by the breathtaking/horrifying opening 10 minutes, there's a mighty heft of humanism flowing in between the blood vomit and body shredding.
Cast are mostly terrific, with Carlyle and the impressive young actors, Poots and Muggleton, leading the way. The American lads playing military men have to make do with slender written stock roles, but Byrne provides spunk and McCormack leaves an indelible mark in a small, but key, role. Fresnadillo (Intacto) ensures Boyle isn't missed in the director's chair, with a keen eye for action construction and an awareness of pacing for such a horror movie. While Murphy again scores with that knack for doom mongering beats. There's some missteps, logic at times goes out the window and in the case of Renner's character, outcome is a bit too much of a bitter pill to swallow. While dialogue at times shops at "Clichés "R" Us". But this is still a mighty fine thrill ride, often scary and stomach turning, and even flecked with emotional worth. On this evidence a part 3 would be most welcome. 8/10
Oct 9, 2019
Gimly
The story is not quite up to snuff in comparison to _Days_, but the visual quality is **way** better.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Dec 28, 2019
Ricardo Oliveira
"28 Weeks Later" is a British horror movie directed by Juan Carlos Fresnadillo and starring Jeremy Renner and Rose Byrne. The film is a sequel to the critically acclaimed "28 Days Later" and takes place six months after the original film's events.
The film opens with a tense and heart-pounding sequence as a group of survivors try to escape the infected hordes of London. The scene sets the tone for the rest of the movie, which is filled with suspense and tension.
The plot centers around the repopulation of London, which is deemed safe after the outbreak of the Rage Virus six months earlier. The story follows the reunion of a family that was separated during the initial outbreak, and their struggle to survive when the virus returns.
The film's pacing is excellent, with a gradual buildup of tension that leads to several heart-stopping moments. The infected humans are just as terrifying and violent as in the first film, and the film's use of sound and lighting is once again top-notch.
One of the standout features of "28 Weeks Later" is the excellent acting by Jeremy Renner and Rose Byrne. Renner delivers a convincing performance as Don, a father struggling to protect his children and come to terms with his actions during the initial outbreak. Byrne also shines as Scarlett, a medical officer trying to find a cure for the virus.
The film's themes of family, loyalty, and sacrifice are powerful and thought-provoking. As the family struggles to survive, they are forced to confront the difficult choices that come with the end of the world.
The film's cinematography and visual effects are also impressive, with haunting and memorable shots of a deserted London and intense action sequences.
Overall, "28 Weeks Later" is a solid horror movie that is not quite as groundbreaking as its predecessor but still delivers a thrilling and engaging experience. The film's excellent acting, pacing, and visuals make for an intense and unforgettable experience. I would rate "28 Weeks Later" an 7 out of 10.
Written and Reviewed by RSOliveira
Mar 10, 2023
Thematic Analysis
This Horror/Thriller/Science Fiction film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. 28 Weeks Later presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.
Director Juan Carlos Fresnadillo brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2007, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of 28 Weeks Later took approximately 17 months from pre-production to final cut.
- With a budget of $15.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 100 minutes, though the director's initial assembly was reportedly 157 minutes long.
- The screenplay went through 8 major revisions before the final shooting script was approved.
- The musical score contains over 62 unique compositions.
- The costume department created over 402 unique costume pieces for the production.
Historical Context
- In 2007, when this film is released:
- Digital technology was disrupting traditional media and entertainment.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While 28 Weeks Later shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Black Hole, which focuses more on action than character development, 28 Weeks Later offers a fresh perspective through its innovative visual language and narrative structure.
While films like Open Water 2: Adrift and Double Impact explore similar territory, 28 Weeks Later stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 26, 2007
- Runtime: 1h 40m
- Budget: $15,000,000
- Revenue: $65,048,725
Where to Watch
