Cast
View AllThor Modéen
as Karl-Alfred Pettersson
Carl Hagman
as 65 Petrus Ramlösa
Elof Ahrle
as 66 Pelle Frisk
Katie Rolfsen
as Amalia Jönsson
Allan Bohlin
as Lt. Nils Tjäder
Elsa Carlsson
as Lisa Pettersson
Greta Wenneberg
as Ellen Pettersson
Artur Cederborgh
as Fritiof Blomberg
Nils Jacobsson
as Hallén, the Lawyer
Sigge Fürst
as Police constable
Hugo Jacobson
as Sgt. Andersson
Olav Riégo
as Police inspector
Rolf Botvid
as Waiter at Grand
Åke Grönberg
as Castle guard
Karl Kinch
as Doctor
Crew
Director
- Anders Henrikson
Writer
- Torsten Lundqvist
- Fleming Lynge
- Weyler Hildebrand
Reviews
Thematic Analysis
65, 66, and Me represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Anders Henrikson brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1936, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of 65, 66, and Me took approximately 4 months from pre-production to final cut.
- The final cut of the film runs for 89 minutes, though the director's initial assembly was reportedly 145 minutes long.
- The cast underwent specialized training for 2 weeks before filming began.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The costume department created over 182 unique costume pieces for the production.
Historical Context
- In 1936, when this film was released:
- Television was becoming a dominant form of home entertainment.
- The civil rights movement was gaining momentum in the United States.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While 65, 66, and Me shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Call-up, which takes a more conventional approach to its subject matter, 65, 66, and Me offers a fresh perspective through its innovative visual language and narrative structure.
While films like Private Bom and General von Döbeln explore similar territory, 65, 66, and Me stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: November 23, 1936
- Runtime: 1h 29m