Cast
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Crew
Director
- Albert Gendelshtein
- Dmitri Poznansky
Writer
- Albert Gendelshtein
- Vladimir Kreps
Reviews
Thematic Analysis
The Train is Going to Moscow represents a fascinating example of Family cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Albert Gendelshtein brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1938, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Train is Going to Moscow took approximately 13 months from pre-production to final cut.
- The final cut of the film runs for 7 minutes, though the director's initial assembly was reportedly 61 minutes long.
- The cast underwent specialized training for 4 weeks before filming began.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The film contains approximately 2492 individual shots.
Historical Context
- In 1938, when this film was released:
- Television was becoming a dominant form of home entertainment.
- The Cold War was intensifying, influencing global politics and culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
Details
- Release Date: December 22, 1938
- Runtime: 7m