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Wings of Desire
7.8

Wings of Desire (1987)

Sep 23, 1987 2h 8m Drama Fantasy Romance

Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds -- with some words of wisdom from actor Peter Falk -- that it might be possible for him to take human form.

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Directed by Wim Wenders

Cast

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Crew

Director
  • Wim Wenders
Producer
  • Wim Wenders
  • Anatole Dauman

Reviews

CinemaSerf
7/10

Bruno Ganz is on top form in this characterful study of desire - physical and spiritual. He is "Daniel" an angel invisible to all but his own kind (and to the innocence of children) who finds himself, with his colleague "Cassiel" (Otto Sander) policing the city of Berlin at the end of the second world war. Needless to say, there are no shortages of claimants on their compassion and they do what they can to help assuage the difficulties faced by the desperate and the struggling. When he alights on circus trapeze artiste "Marion" (Solveig Dommartin) though, "Daniel" starts to have doubts. His entire raison d'être starts to become compromised as he realises that there are benefits to being mortal, and human, and that being in love is probably the greatest of these. Up until this moment, his life has been intangible and he determines that must change. It's risky though... There are no guarantees! It's a bit of a slow burn so don't expect a great deal to happen quickly. It is, however, quite a potent tale of realising priorities and dealing with demons - some more apparent than others - told in a gradually accumulating, effective and emotionally charged manner. It is not in the least sentimental but just as the angels observe their subjects, we are invited by Wim Wenders to do the same with them - and it's surprisingly effective to watch as some of the questions and challenges facing him could easily be applied to those in the audience. The monochrome photography is also striking and well authenticates the scenario of a desolate and despairing post war environment. Perhaps serendipity takes too big an hand at the end, but... you decide.

Dec 25, 2022

Filipe Manuel Neto
3/10

**Essay on Sleepiness.**

When I decided to see this film, I did it for three reasons: the first is the participation of Bruno Ganz, a German actor that I appreciate and that I started to like after seeing him do excellent work in other films such as “The Fall”; the second is the enormous consideration in which this film has been held by a very high number of distinguished critics and specialists; the third is the fact that it's the first West German film I've seen in my life (as far as I know and that I'm aware of).

The script, however, couldn't be more tasteless than it turns out to be: the film begins with the turns and wanderings of two angels through the streets and places of West Berlin, observing people's daily lives. Damiel and Cassiel, each in their own way, are interested in human beings. They cannot be seen, except for children, and for a single individual who manages to talk to them, and one of them ends up deciding to become a human being and live a mortal life, on Earth, after falling in love with a woman. circus trapeze artist.

In fact, there is no lack of television or literary material about angels who fall in love with humans or who, for other reasons, give up their angelic life and become humans. It seems that there is, among us, a desire to humanize these creatures. In the wake of all this, the film makes a series of philosophical and metaphysical considerations that will only truly interest philosophers, or theologians, or writers in general. Wim Wenders is a director who appreciates this type of ultra-intellectual cinema, made for artistic cycles and festivals, never for the general public, who find it a good substitute for sleeping pills. Personally, I don't like this type of cinema, even though I recognize its artistic merit.

Bruno Ganz, on his journey, awakens to the beauty of humanity in an elegant way that borders on poetry. He sees beauty in the most trivial things, which we usually don't, not without an extreme artistic sensitivity that the common individual rarely cultivates. The actor couldn't be more competent in the work he does, and is skilfully assisted by Otto Sander, who has another angelic role. Solveig Dommartin and Peter Falk are also very good additions, with time to show value.

The problem with this film is really the excessively slow and cold way in which it unfolds and gradually exposes itself. The pace of the film is so slow that it becomes boring, and I confess that I didn't pay much attention to the permanent monologues. Things improve a lot when Falk enters the scene, giving movement to a bloodless and soporific plot. The closing credits, in German expressionist style, make a direct allusion to the cinematographic past of the city, and of the country, something that Wenders may have done as a tribute, or asserting himself as a continuer of the legacy of the past (which is not as modest as the first idea). Almost the entire film is shot in black-and-white, with cinematography that is very well achieved and worthy of merit. Colors are introduced later, becoming more associated with humanity, that is, with the way we see the world we live in. Original, well thought out. The film does not have a great soundtrack, betting more on monologues and very boring dialogues. Furthermore, the film is practically a city tour of West Berlin, a metropolis that has changed radically in recent years, as we know. The wall is there, even though it was purposely built for the movie and is not the real thing.

Feb 26, 2023

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Thematic Analysis

As a dramatic work, Wings of Desire examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.

Director Wim Wenders brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.

Released in 1987, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.

Did You Know?

  • The production of Wings of Desire took approximately 8 months from pre-production to final cut.
  • With a budget of $2.5 million, the film proved to be a financial success, earning back its investment and more.
  • The final cut of the film runs for 128 minutes, though the director's initial assembly was reportedly 153 minutes long.
  • Some visual effects sequences took up to 10 months to complete.
  • The costume department created over 254 unique costume pieces for the production.
  • The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.

Historical Context

  • In 1987, when this film was released:
  • Economic policies were shifting toward deregulation in many Western countries.
  • Personal computers were beginning to transform homes and workplaces.
  • Independent cinema was growing in influence, challenging the dominance of major studios.

How This Film Stands Out

While Wings of Desire shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike Salvador (Puig Antich), which focuses more on action than character development, Wings of Desire subverts genre expectations by exploring its themes with greater nuance.

While films like Vanilla Sky and Solo Sunny explore similar territory, Wings of Desire stands apart through its deeper exploration of its central themes and more complex characterization.

This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.

Details

  • Release Date: September 23, 1987
  • Runtime: 2h 8m
  • Budget: $2,500,000
  • Revenue: $3,210,139

Where to Watch

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Criterion Channel
TCM Amazon Channel

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