Cast
View AllLiv Tyler
as Corey Mason
Johnny Whitworth
as A.J.
Renée Zellweger
as Gina
Robin Tunney
as Debra
Anthony LaPaglia
as Joe Reaves
Rory Cochrane
as Lucas
Ethan Embry
as Marc
Maxwell Caulfield
as Rex Manning
Debi Mazar
as Jane
Brendan Sexton III
as Warren
Coyote Shivers
as Berko
James 'Kimo' Wills
as Eddie
Ben Bode
as Mitchell Beck
Gary Bolen
as Croupier
Kimber Sissons
as Woman at Craps Table
Crew
Director
- Allan Moyle
Producer
- Tony Ludwig
- Michael G. Nathanson
- Alan Riche
- Arnon Milchan
Reviews
Filipe Manuel Neto
**An animated film, full of rebellion and energy.**
Remember the stores that sold music records and CDs? There are still some, and the rebirth of vinyl, very recent, has allowed a certain rebirth of the commercial sector, somewhat in response to the massification and popularization of music in “streaming” and digital downloads that we already have as something common in our lives. This film is about a store open 24 hours a day, with spaces to sell and listen to music. It is managed by young people, with young employees, an idiot owner and a manager who dreams of buying the space. It turns out that one of the employees decided to go to a casino and lost all the money saved for that project.
The action takes place the day after the incident. In addition to the fate of the store and its employees, which is at stake, each one lives their own story, has characteristics and personality. Incidentally, the entire construction and development of the story and characters is one of the most positive aspects of the film. We have a young teenager who particularly wants to lose her virginity but has serious problems with amphetamines, an aspiring art major, a crook with a complicated childhood, a liberal girl who seems to particularly enjoy sexual adventures, a crazy rocker. In addition to the employees, we also have a former musical star who decides to go there to promote a new CD and cause some funny problems.
The film has an impressive cast, and it's worth seeing who the actors are and where they are today. We understand well that each one wanted to make the best use of this opportunity. Contrary to what the posters suggest, Liv Tyler, who is the daughter of a rock musician, has a character without a leading role, but does an excellent job, even acting opposite her (then) stepfather, Coyote Shivers. Rory Cochrane, Renée Zellweger and Ethan Embry are also here, and each of them does a very competent job. Despite the centrality of his character, Anthony La Paglia does not steal the spotlight for himself and shares our attention with his co-stars generously and doing a very well done job. We also have Robin Tunney, bald and rebellious, Debi Mazar and Johnny Whitworth. The less sympathetic roles go to Max Caulfield and Ben Bode, and they're refreshingly comic.
On a technical level, what stands out positively is the enormous animation of the film. There are no dead moments. The story is constructed in such a way as to give us a kind of moral about the brevity of life and the need to take advantage of the time, live life, even taking risks and making mistakes. Added to this is a strident soundtrack, full of strength, where rock predominates and emanates energy, positivity and rebelliousness. The songs used here are well known and fans of the rock genre will love it. Incidentally, the albums released with the soundtrack were a success, in absolute contrast to the film itself, which failed in cinemas, was bombed by critics and only acquired a certain popularity and public recognition in much more recent years. Perhaps it was simply ahead of its time.
May 22, 2023
Thematic Analysis
As a dramatic work, Empire Records examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Allan Moyle brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1995, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Empire Records took approximately 36 months from pre-production to final cut.
- With a budget of $10.0 million, the film represented a significant investment in bringing this story to the screen.
- The final cut of the film runs for 90 minutes, though the director's initial assembly was reportedly 118 minutes long.
- The costume department created over 299 unique costume pieces for the production.
- Some visual effects sequences took up to 7 months to complete.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1995, when this film was released:
- Digital technology was transforming the entertainment industry.
- The end of the Cold War was reshaping global politics.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Empire Records shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Dieter - Der Film, which focuses more on action than character development, Empire Records offers a fresh perspective through its innovative visual language and narrative structure.
While films like That Thing You Do! and Lolita explore similar territory, Empire Records stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: September 22, 1995
- Runtime: 1h 30m
- Budget: $10,000,000
- Revenue: $303,841
Where to Watch

