Cast
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Richard Harrison
as Glaucus
Lisa Gastoni
as Messalina
Marilù Tolo
as Ena
Philippe Hersent
as Claudio
Livio Lorenzon
as Prefect of the court
Jean Claudio
as Gaio Silio
Giuseppe Addobbati
as Lucilius
Maria Laura Rocca
as Procusa
Charles Borromel
as Caligola
Lidia Alfonsi
as
Gianni Solaro
as Cassius Chaerea
Enzo Fiermonte
as
Lucia Bomez
as
Crew
Director
- Umberto Lenzi
Writer
- Gian Paolo Callegari
- Albert Valentin
Reviews
Thematic Analysis
As a dramatic work, Messalina Against the Son of Hercules examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Umberto Lenzi brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1964, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Messalina Against the Son of Hercules took approximately 31 months from pre-production to final cut.
- The final cut of the film runs for 98 minutes, though the director's initial assembly was reportedly 131 minutes long.
- Some visual effects sequences took up to 3 months to complete.
- The cast underwent specialized training for 5 weeks before filming began.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1964, when this film was released:
- The space race between the USSR and USA was at its height.
- Counterculture movements were challenging traditional values.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Messalina Against the Son of Hercules shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Ursus in the Land of Fire, which takes a more conventional approach to its subject matter, Messalina Against the Son of Hercules subverts genre expectations by exploring its themes with greater nuance.
While films like Gladiator and Ursus in the Valley of the Lions explore similar territory, Messalina Against the Son of Hercules stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: June 27, 1964
- Runtime: 1h 38m
