Cast
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Chris Evans
as Nick Gant
Dakota Fanning
as Cassie Holmes
Camilla Belle
as Kira Hudson
Djimon Hounsou
as Henry Carver
Cliff Curtis
as Hook Waters
Ming-Na Wen
as Emily Hu
Joel Gretsch
as Nick's Father
Nate Mooney
as Pinky Stein
Li Xiaolu
as Pop Girl
Maggie Siff
as Teresa Stowe
Corey Stoll
as Agent Mack
Scott Michael Campbell
as Agent Holden
Colin Ford
as Young Nick
Robert Tsonos
as Division Doctor
Brandon Rhea
as Division Doctor
Crew
Director
- Paul McGuigan
Writer
- David Bourla
Producer
- Bruce Davey
- David M. Richardson
- Kerry Rock
- Christa Vausbinder
- William Vince
- Glenn Williamson
Reviews
Wuchak
***People with various mental abilities fighting each other in Hong Kong over a suitcase***
Three individuals with mind powers in Hong Kong (Chris Evans, Dakota Fanning & Camilla Belle) vie with agents of a shadowy government agency called the Division over a mysterious suitcase. The super powers include pushers, who can push thoughts into other’s minds; movers, who have the power of telekinesis; watchers, who are seers; sniffers, who can find others; shadowers, who can block watchers and sniffers; screamers, who can attack through shrieks; and more. Djimon Hounsou plays the head agent of the Division.
“Push” (2009) is a thriller that combines the style and themes of “Lucy” (2014) with the surreal take on a major Asian city of “Lost in Translation” (2003). Imagine the abilities of Professor X, Jean Grey and Magneto of the “X-Men” flicks, but without the costumes and superhero trappings, and you’d have a good idea of “Push.” The setting of Hong Kong is a highlight, but it focuses mostly on the working class underbelly rather than the posh areas of Tokyo seen in “Lost in Translation.”
The style is hip and kinetic, like “Lucy” and “Eye of the Beholder” (1998), and the film does a good job of keeping the complicated elements understandable to the viewer. There’s also a quality score/soundtrack. Yet it’s the least of all these pics mentioned. The story’s just not as engrossing, but it’s not too far off either. The Division is suggestive of MK Ultra on steroids.
The film runs 1 hour, 51 minutes and was shot in Hong Kong.
GRADE: B-
Apr 29, 2019
Thematic Analysis
This high-octane Science Fiction/Action/Adventure/Thriller film balances spectacular sequences with character-driven moments. Unlike many films in the genre, Push distinguishes itself through a unique visual style and creative action choreography.
Director Paul McGuigan brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2009, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Push took approximately 15 months from pre-production to final cut.
- With a budget of $38.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 111 minutes, though the director's initial assembly was reportedly 150 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The film contains approximately 2388 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2009, when this film is released:
- Social media platforms were beginning to transform communication.
- Digital technology was disrupting traditional media and entertainment.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Push shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike 2046, which takes a more conventional approach to its subject matter, Push offers a fresh perspective through its innovative visual language and narrative structure.
While films like Police Story and Morning Routine explore similar territory, Push stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: February 4, 2009
- Runtime: 1h 51m
- Budget: $38,000,000
- Revenue: $49,678,401
Where to Watch
