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Superfuckers 15

Superfuckers 15 (2002)

Jan 01, 2002 N/A

Whores come a dime a dozen. Superfuckers are one in a million. These exquisite sluts are genetic miracles, their perfect bodies imbued with an astounding hunger for prick. Professor Flynt's school for exceptional cock-sockets hones these whores into perfect sex machines. The anal room, our high-tech, hard-core training grounds buried miles beneath the Flynt Mansion, is where all the action happens. A flawless body is stripped and spread. Cocks attack from every angle, penetrating and stretching ass flesh to its limits. Breasts are manhandled as dual joints piston a ravaged crack. Intense bursts of splooge blind the babe, befouling her stunning face.

Directed by Pierre Woodman

Cast

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Crew

Director
  • Pierre Woodman

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Thematic Analysis

Superfuckers 15 represents a fascinating example of cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Director Pierre Woodman brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 2002, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of Superfuckers 15 took approximately 6 months from pre-production to final cut.
  • The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
  • The cast underwent specialized training for 4 weeks before filming began.
  • The film contains approximately 2223 individual shots.

Historical Context

  • In 2002, when this film is released:
  • Environmental concerns were becoming more mainstream.
  • Digital technology was disrupting traditional media and entertainment.
  • Digital filmmaking technologies were transforming production processes and creating new opportunities.

How This Film Stands Out

Details

  • Release Date: January 1, 2002

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