Cast
View AllThanh Hiền
as Bà Hai
Oanh Kiều
as Bà Hai lúc trẻ
Trương Minh Cường
as Hai Khôn
Quách Ngọc Tuyên
as Tư Hậu
Đinh Y Nhung
as Ba Lành
Trâm Anh
as Năm Thảo
Kim Hải
as Sáu Tâm
Ammy Minh Khuê
as Mai
Tín Nguyễn
as Tư Thắm
Thanh Thức
as Danh
Lý Hải
as Ba Dẹo
Lê Thu
as Thy
Ceri Thu Hà
as Vy
Thái Vũ
as Huy
Ngân Chi
as Bé Huỳnh
Crew
Director
- Lý Hải
Writer
- Lý Hải
Reviews
CinemaSerf
The title of this film in no way prepared me for what I was about to see! A charming old grandmother "Madame Hai" (Thanh Hiền) is content tending her flowers at her rural home when she has a bit of a mishap that puts her leg in plaster. Even though she is surrounded by helpful neighbours, it's clear the she cannot look after herself, so children have to take it in turns whilst she recovers. Her daughter, with whom she lives, must contend with a very ill girl of her own, so it falls to the other four siblings to argue about who will make some sacrifices and compromise their own busy schedules to accommodate the old lady. First it's the wealthy brother whose job is on the line and whose daughter is a bit prone to fighting at school; the second is an hen-pecked fisherman with a kindly young daughter and a sagely old in-law. Then it's the turn of the daughter (my favourite scenario) who works with her husband on a flower farm and who tries to convince her mother that they live in a big house with a pool - but do they really? Finally, a young son with an expectant wife take their turn. The old lady is embarrassed to be a burden, but each story serves as a sort of mini-parable with a message about familial values, priorities and the wisdom of age. The episodes are quite good fun, but once they are over the story rather loses it's way as the grannie sells up and absconds leaving her children to worry and panic. That's hardly plausible, nor, really, is much of the last half hour or so as the story loses much of its impetus, humour and focus. It's got a sort of nondescript television style score too that doesn't really help it along either and that's a shame as the family dramas are quite funny and engaging. It is way too long but Thanh Hiền's gentle personification of an old lady whose not without her wits makes for a decent template for the first half of the drama. I don't watch much Vietnamese cinema, but maybe presenting stories depicting their own rich culture might work better if they leave out the attempts to appeal so overtly to a Western audience?
Jun 20, 2024
Thematic Analysis
As a dramatic work, Face Off 7: One Wish examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Lý Hải brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2024, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Face Off 7: One Wish took approximately 4 months from pre-production to final cut.
- The final cut of the film runs for 139 minutes, though the director's initial assembly was reportedly 199 minutes long.
- Some visual effects sequences took up to 5 months to complete.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The screenplay went through 6 major revisions before the final shooting script was approved.
Historical Context
- In 2024, when this film is released:
- Artificial intelligence was becoming increasingly integrated into daily life and creative industries.
- Streaming platforms had largely replaced traditional cinema and television models.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Face Off 7: One Wish shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Camino Al Cielo, which takes a more conventional approach to its subject matter, Face Off 7: One Wish subverts genre expectations by exploring its themes with greater nuance.
While films like Different Sons and Laila Nadene explore similar territory, Face Off 7: One Wish stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 26, 2024
- Runtime: 2h 19m
- Revenue: $19,353,760