Cast
View AllMeryl Streep
as Sarah / Anna
Jeremy Irons
as Charles Henry Smithson / Mike
Hilton McRae
as Sam
Lynsey Baxter
as Ernestina
Emily Morgan
as Mary
Penelope Wilton
as Sonia
Jean Faulds
as Cook
Charlotte Mitchell
as Mrs. Tranter
Peter Vaughan
as Mr. Freeman
Colin Jeavons
as Vicar
Liz Smith
as Mrs. Fairley
Patience Collier
as Mrs. Poulteney
John Barrett
as Dairyman
Leo McKern
as Dr. Grogan
Arabella Weir
as Girl on Undercliff
Crew
Director
- Karel Reisz
Producer
- Leon Clore
Reviews
CinemaSerf
Usually if there are two separate timelines featured in a story, the director tries to ensure that we cannot readily distinguish between one that might be true and one that might be artificial. It's the complete opposite that really works well here as we mingle the story of an 18th century woman living within the constraints of high Victorian society with a more profligate 1970s one. To fit out the earlier scenario, we meet the shy "Sarah" (Meryl Streep) who is rebounding from a liaison with the titular French lieutenant by having an even less suitable assignation with the altogether more decent "Charles" (Jeremy Irons). The modern day scenario has the same two actors playing "Anna" and "Mike", only both are married to others and they are the "real" life actors portraying these other characters in a film of their lives. Now we get to experience the story of both relationships undulating in parallel. It sounds way more complex than it actually is as a combination of Harold Pinter's adaptation of the original novel and the acting from both Streep and Irons manages to convince us that though we are seeing two separate stories play out before us, they have remarkable similarities in the life imitating art sort of space. I preferred the older scenario, but only because the supporting cast of characters could make much more of their rigid, sexist and downright hypocritical environment and Streep works well with her frankly quite insipid "Sarah". The more modern day story tended more to soap for my liking: their behaviour more duplicitous, selfish and that led to a disappointing degree of predicability. More relatable, if you like. I'm not really a fan of Irons, but here he works well across both iterations and gels remarkably well with a Streep who seems to morph from both of her persona effortlessly and convincingly. The pace can dawdle at times, and maybe Karel Reisz could have just tightened things up a little at the rather plodding start, but the production design across both storylines looks good and it's once the tram lines are laid down and the two become entrenched, it becomes quite a compelling story of love, lust, betrayal and lies.
Jan 17, 2025
Thematic Analysis
As a dramatic work, The French Lieutenant's Woman examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Karel Reisz brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1981, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The French Lieutenant's Woman took approximately 18 months from pre-production to final cut.
- The final cut of the film runs for 124 minutes, though the director's initial assembly was reportedly 149 minutes long.
- Some visual effects sequences took up to 6 months to complete.
- The costume department created over 306 unique costume pieces for the production.
- The film contains approximately 2161 individual shots.
Historical Context
- In 1981, when this film was released:
- The Cold War was entering its final phase.
- Personal computers were beginning to transform homes and workplaces.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While The French Lieutenant's Woman shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Match Point, which focuses more on action than character development, The French Lieutenant's Woman offers a fresh perspective through its innovative visual language and narrative structure.
While films like All Quiet on the Western Front and Crouching Tiger, Hidden Dragon explore similar territory, The French Lieutenant's Woman stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: August 28, 1981
- Runtime: 2h 4m
- Revenue: $2,689,068
Where to Watch

