Cast
View AllJennifer Morrison
as Amy Mayfield
Matthew Davis
as Travis / Trevor
Hart Bochner
as Professor Solomon
Loretta Devine
as Reese
Joey Lawrence
as Graham
Anson Mount
as Toby
Jessica Cauffiel
as Sandra
Anthony Anderson
as Stan
Michael Bacall
as Dirk
Eva Mendes
as Vanessa
Marco Hofschneider
as Schorm "Simon" Jabuscko
Derek Aasland
as P.A. Kevin
Jacinda Barrett
as Lisa
Peter Millard
as Dr. Richard Fain
Chas Lawther
as Dean Patterson
Crew
Director
- John Ottman
Producer
- Neal H. Moritz
- Gina Matthews
- Richard Luke Rothschild
Reviews
slayrrr666
Attempting to finish film school, a director doing her film about a serial killer killing his victims on urban legends starts to realize that a serial killer is running around behind the scenes killing off the crew, and must stop the madman before killing off everyone on the film.
This here was a pretty surprising entry. One of the things it does well is that it really features a lot of suspenseful work at times as this makes a hard time of determining if what's being seen is real or just being shot for the movie. It plays the movie-within-a-movie trick to nice effect, since it features enough to make hard to distinguish one from the other including it's wonderful opening sequence that takes a while before realizing after the fact it's been faked, a sequence where the assembled cast watch the dailies only for a strange cut-shot to play where one of the cast is viciously stalked and killed is screened where all but one thinking it to be shot for the film but the other positive that it's real and a later scene where a murder done during the recording of a scream-test loud enough to drown out the victim's own being great scenes. Even going away from that formula, there’s some rather fun stalking here from the bathroom chase featuring the woman trying to escape from the killer out into the alleyway or a thrilling chase through the recording studio and out into the surrounding countryside and pool while an attack at a carnival ride hidden by the darkness and fog comes off rather nice as well. The final confrontation in the movie-set graveyard setting is just fun, being creepy, exciting and all-around a blast with the true revelation and the different twists featured throughout make for a nice time here. The last big feature here is a really nice and healthy mix amongst the kills, which along with the mask worn are the film's rather good parts. This one here only has a few flaws to it. The main one here is that the main explanation for the killing has a lot of ways for how to interpret it, and it feels just too clumsy and unrealistic to be considered as believable. The fact that the violence is toned down from anything that it should have, since, for all the creativity displayed in the kills, it isn't very bloody and with a couple of kills that could've been in here. These are the same thing that really should've fixed by taking more of those and making them more bloody. It would've taken out a mild flaw in the film rather simply. The last flaw in here is the film's maddening ability to switch between the film shoot and the real world. It's fun at times, but there's also the fact that the film tries to be clever with changing around the two and it gets a little harder to defend the longer they go on. These here are the film's flaws.
Rated R: Graphic Violence, Graphic Language, Brief Nudity and a sex scene.
Mar 18, 2017
Thematic Analysis
This Horror/Mystery film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. Urban Legends: Final Cut presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.
Director John Ottman brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2000, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Urban Legends: Final Cut took approximately 8 months from pre-production to final cut.
- With a budget of $14.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 98 minutes, though the director's initial assembly was reportedly 146 minutes long.
- The screenplay went through 7 major revisions before the final shooting script was approved.
- The film contains approximately 2278 individual shots.
- The musical score contains over 61 unique compositions.
Historical Context
- In 2000, when this film is released:
- The September 11 attacks changed global security and politics.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Urban Legends: Final Cut shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Ex, which focuses more on action than character development, Urban Legends: Final Cut subverts genre expectations by exploring its themes with greater nuance.
While films like Erecting A Monster 2: Bride Of The Monster and The Passenger explore similar territory, Urban Legends: Final Cut stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: September 22, 2000
- Runtime: 1h 38m
- Budget: $14,000,000
- Revenue: $38,574,362