Cast
View AllDale Dickey
as Ann Hunter
Romane Denis
as Emma
Daniel Brochu
as Charles
Richard Chevolleau
as Tony
Greg Ellwand
as Chip
Kathleen Fee
as Claire
Jonathan Koensgen
as Ralph
Roc LaFortune
as Joseph
Anthony Jones Nestoras
as Mover
Bruce Ramsay
as Rivera
Joey Scarpellino
as Matt
Tanya van Blokland
as Sara
Crew
Director
- Karl R. Hearne
Writer
- Karl R. Hearne
Producer
- Karl R. Hearne
Reviews
CinemaSerf
From the look of the posters, this ought to be a film about a Polish gangster! Instead, it's about the curmudgeonly, vodka-swilling, "Ann" (Dale Dickey). It's really only her grand-daughter "Emma" (Romane Denis) who takes any interest in her as she goes through life with her incapacitated husband "Chip". Asleep one night, their home is invaded by people armed with a court order that puts them into a legally binding guardianship arrangement. This basically says that they are incapable of managing their own affairs and have to have someone else take control. Nobody asked anyone to do this, nor did the couple know of the court proceedings supporting it. It was all down to a dodgy doctor on the payroll of "Rivera" (Bruce Ramsay) who had his eye on their condo and their savings. Now locked inside their new apartment, she is determined to get out - especially as their new hosts can prove quite violent when it comes to making sure that they have squeezed out every penny the couple have. What "Rivera" doesn't count on, though, is that "G" has a bit of an history when it comes to looking after herself. What follows next is all a bit procedural and though Dickey is clearly having some bad-ass fun, the main thrust of the story is really the outrageous scenario that it represents: that some states in the US allow people to be summarily removed from their homes, and from control of their assets, by anonymous third parties fuelled by greed and palm-greasing. It's worth a watch, but the television will do fine.
Jun 22, 2024
towang
Good film. Here's what the Fantasia Film Festival says about it: After decades as a character actor in countless films and TV series (winning numerous awards in the process), Dale Dickey takes centre stage in THE G, delivering a performance fierce and flinty enough to give Eastwood or Bronson pause (and certainly more subtle than either). Like Dickey’s turn as Ann, Montreal director Karl R. Hearne’s second feature film, a favourite on the festival circuit, bristles with quiet, carefully calibrated intensity. Inspired by his own grandmother, apparently one tough cookie, as well as outrage at the frequency of elder abuse right under our noses, Hearne has crafted a gritty revenge thriller laced with shards of bitter humour and anchored by an unconventional yet entirely convincing protagonist—a different shade of noir, with a touch of grey. – Rupert Bottenberg
Jul 4, 2024
Thematic Analysis
The G represents a fascinating example of Thriller/Crime cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Karl R. Hearne brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2024, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of The G took approximately 16 months from pre-production to final cut.
- The final cut of the film runs for 106 minutes, though the director's initial assembly was reportedly 147 minutes long.
- The cast underwent specialized training for 3 weeks before filming began.
- The costume department created over 408 unique costume pieces for the production.
- The musical score contains over 62 unique compositions.
Historical Context
- In 2024, when this film is released:
- Artificial intelligence was becoming increasingly integrated into daily life and creative industries.
- Streaming platforms had largely replaced traditional cinema and television models.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While The G shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Assassination of Richard Nixon, which focuses more on action than character development, The G offers a fresh perspective through its innovative visual language and narrative structure.
While films like Star Trek II: The Wrath of Khan and The Good German explore similar territory, The G stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: June 7, 2024
- Runtime: 1h 46m