Cast
View AllAnne-Marie Carrière
as Antoinette Mercier
Denise Grey
as La comtesse Apoline de Mont-Vermeil
Anne Sitel
as Gisèle, la demoiselle de compagnie
Jacques Morel
as Le cardinal de Tramone
Claude Nicot
as Le neveu, le baron Hubert de Mont-Vermeil
Arlette Didier
as Lucie, la femme de chambre de la comtesse
Jean Berton
as Patrice, le majordome de la comtesse
Jean Clarieux
as Jules, fiancé de Giselle
Crew
Director
- Pierre Sabbagh
Reviews
Thematic Analysis
J'y suis, j'y reste represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Pierre Sabbagh brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1966, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of J'y suis, j'y reste took approximately 35 months from pre-production to final cut.
- Some visual effects sequences took up to 5 months to complete.
- The cast underwent specialized training for 4 weeks before filming began.
- The musical score contains over 44 unique compositions.
Historical Context
- In 1966, when this film was released:
- The space race between the USSR and USA was at its height.
- Counterculture movements were challenging traditional values.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While J'y suis, j'y reste shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Lånta fjädrar, which focuses more on action than character development, J'y suis, j'y reste subverts genre expectations by exploring its themes with greater nuance.
While films like Get Over It and Friend of the World explore similar territory, J'y suis, j'y reste stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: July 21, 1966