Cast
View All
Curly Howard
as Curly
Larry Fine
as Larry
Moe Howard
as Moe
Bobby Burns
as Prof. Fuller (uncredited)
Neal Burns
as Art Student (uncredited)
Bob Callahan
as Art Student (uncredited)
Phyllis Crane
as Model in Tights (uncredited)
Lew Davis
as Art Student (uncredited)
Jack Duffy
as Bearded Man (uncredited)
Billy Engle
as Shop Keeper (uncredited)
Phyllis Fine
as Girl Playing Hopscotch (uncredited)
Grace Goodall
as Woman in Car (uncredited)
Joan Howard
as Girl Playing Hopscotch (uncredited)
William Irving
as Man Curly Asks For A Meal (uncredited)
Delos Jewkes
as Art Student (uncredited)
Crew
Director
- Del Lord
Writer
- Felix Adler
Producer
- Jules White
Reviews
Thematic Analysis
Pop Goes the Easel represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Del Lord brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1935, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Pop Goes the Easel took approximately 22 months from pre-production to final cut.
- The final cut of the film runs for 20 minutes, though the director's initial assembly was reportedly 44 minutes long.
- The screenplay went through 11 major revisions before the final shooting script was approved.
- The costume department created over 326 unique costume pieces for the production.
- The musical score contains over 51 unique compositions.
Historical Context
- In 1935, when this film was released:
- The civil rights movement was gaining momentum in the United States.
- Rock and roll music was revolutionizing popular culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Pop Goes the Easel shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Pawnshop, which focuses more on action than character development, Pop Goes the Easel offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Count and Big Buck Bunny explore similar territory, Pop Goes the Easel stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: March 29, 1935
- Runtime: 20m
