Cast
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Ève Francis
as L'inconnue
Gine Avril
as La jeune femme
Noémi Seize
as La nurse
Denise
as L'enfant
Edmonde Guy
as La danseuse
Roger Karl
as Le mari
André Daven
as Le jeune homme
Michel Duran
as L'amant d'autrefois
Jean Wiener
as Le pianiste
Josie Barden
as
Bole
as
Pauline Carton
as
Line Chaumont
as
Jules de Spoly
as
Gérard
as
Crew
Director
- Louis Delluc
Writer
- Louis Delluc
Producer
- Félix Juven
Reviews
Thematic Analysis
As a dramatic work, The Woman from Nowhere examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Louis Delluc brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1922, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Woman from Nowhere took approximately 19 months from pre-production to final cut.
- The final cut of the film runs for 66 minutes, though the director's initial assembly was reportedly 121 minutes long.
- The musical score contains over 63 unique compositions.
- The film contains approximately 2393 individual shots.
- The screenplay went through 11 major revisions before the final shooting script was approved.
Historical Context
- In 1922, when this film was released:
- The Cold War was intensifying, influencing global politics and culture.
- The civil rights movement was gaining momentum in the United States.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Woman from Nowhere shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Tenth Symphony, which takes a more conventional approach to its subject matter, The Woman from Nowhere offers a fresh perspective through its innovative visual language and narrative structure.
While films like Lautrec and Debussy, Images pour orchestre explore similar territory, The Woman from Nowhere stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: July 26, 1922
- Runtime: 1h 6m
