Cast
View AllAudrey Tautou
as Gabrielle 'Coco' Chanel
Benoît Poelvoorde
as Etienne Balsan
Alessandro Nivola
as Arthur 'Boy' Capel
Marie Gillain
as Adrienne Chanel
Emmanuelle Devos
as Emilienne d'Alençon
Régis Royer
as Alec, Jockey
Étienne Bartholomeus
as Balsan Butler
Yan Duffas
as Maurice de Nexon
Fabien Béhar
as Shop Boss
Roch Leibovici
as Jean, Groom
Jean-Yves Chatelais
as Bellowing Director
Pierre Diot
as Actor in the Theater
Vincent Nemeth
as Fat Man in the Theater
Bruno Abraham-Kremer
as Tailor in Deauville
Lisa Cohen
as Gabrielle Chanel, 10 Years Old
Crew
Director
- Anne Fontaine
Producer
- Simon Arnal
- Caroline Benjo
- Philippe Carcassonne
- Carole Scotta
Reviews
CinemaSerf
Audrey Tautou is actually quite impressive here as the legendary French designer, but the rest of this rather blandly photographed melodrama is really more about her love life than her career. She's born Gabrielle and having left the orphanage in which she was abandoned with sister Adrienne (Marie Gillain), takes a job as a seamstress and supplements that with some cabaret work. Clearly she has skill - at both, but it's her charms at the latter that interest the wealthy Baron Balsan (Benoît Poelvoorde). His name and association opens many doors for this aspiring woman but she tends to look upon him more, to his increasing chagrin, like a brother as she takes a shine to visiting British coal millionaire Arthur "Boy" Capel (Alessandro Nivola) who agrees to fund her first millinery enterprise. Like so many of these rags-to-riches biopics, we spend way too long on the childhood and family dynamic before almost accidentally ending up at the how she got her break stuff. We hardly build at all on just how she became the woman she was. Those elements are sparingly portrayed and rushed leaving us with large parts of this drama delivering more of a Merchant Ivory style love triangle, peppered with some "House of Eliot" that has more of the soap than the salon to it. That said, Tautou rarely puts a foot wrong and does go some way to convince - despite the over scripting and underwhelming screenplay, and there's an hint of chemistry with Nivola too. It's fine, but sadly - nothing more, and it does little justice to Chanel as a woman or a brand.
Apr 10, 2024
Thematic Analysis
As a dramatic work, Coco Before Chanel examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Anne Fontaine brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2009, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Coco Before Chanel took approximately 36 months from pre-production to final cut.
- The final cut of the film runs for 110 minutes, though the director's initial assembly was reportedly 144 minutes long.
- The screenplay went through 9 major revisions before the final shooting script was approved.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The film contains approximately 1780 individual shots.
Historical Context
- In 2009, when this film is released:
- Environmental concerns were becoming more mainstream.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Coco Before Chanel shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Torrey Pines, which takes a more conventional approach to its subject matter, Coco Before Chanel subverts genre expectations by exploring its themes with greater nuance.
While films like The Little Witch and Seven Women, Seven Sins explore similar territory, Coco Before Chanel stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 22, 2009
- Runtime: 1h 50m