Cast
View AllRichard Gere
as Dennis Peck
Andy García
as Raymond Avila
Laurie Metcalf
as Amy Wallace
Nancy Travis
as Kathleen Avila
Elijah Wood
as Sean Stretch
Richard Bradford
as Grieb
William Baldwin
as Van Stretch
Michael Beach
as Dorian Fletcher
Faye Grant
as Penny Stretch
John Kapelos
as Steven Arrocas
Katherine Borowitz
as Tova Arrocas
Annabella Sciorra
as Heather Peck
Susan Forristal
as Lolly
Ron Vawter
as Jaegar
Xander Berkeley
as Rudy Mohr
Crew
Director
- Mike Figgis
Writer
- Henry Bean
Producer
- Frank Mancuso Jr.
Reviews
John Chard
Like a big baby with buttons all over. I push the buttons.
Internal Affairs is directed by Mike Figgis and written by Henry Bean. It stars Richard Gere, Andy Garcia, Nancy Travis, William Baldwin and Laurie Metcalf. Music is jointly produced by Figgis, Brian Banks and Anthony Marinelli and cinematography is by John A. Alonzo.
Stylish neo-noir that has Gere as Dennis Peck, a crooked cop under investigation by IAD operatives Garcia and Metcalf.
Peck is a master manipulator, a devious bastard who has his fingers in so many mud pies he could start his own bakery. Gere is on fire with the role, imbuing Peck with a menacing nastiness that’s a constant throughout the entire play.
Once Figgis and Bean have laid the character foundations, the plot turns into a psychological battle of wills and skills between Peck and Raymond Avila (Garcia), with Peck always one step ahead because he knows where Avila’s weakness is.
Figgis slow burns the tension with great aplomb, then unleashes the beasts for the thriller aspects of Bean’s screenplay. The look and feel of the piece is that of doom, deftly positing Peck’s vileness within a city awash with crooks, hookers and hitmen for hire. 8/10
Nov 15, 2014
CinemaSerf
This provides the audience with quite a different role from the otherwise good looking (romantic) hero type characters usually associated with Richard Gere. In this film, he portrays "Dennis Peck", an outwardly upstanding police officer who is about as dodgy as they come underneath. When Andy Garcia is brought in to investigate goings on at his precinct, he quickly concludes that Gere's partner - the aptly named "Van Stretch" (William Baldwin) is a bit of a no good wife beater, and soon he and Gere are at loggerheads. The screenplay doesn't pull it's punches - this is an out and out depiction of domestic violence, thuggery and police corruption; and not just of one rogue officer, but of an internecine network that stretches far and wide. Gere is just OK - to be honest. He never was my favourite actor and playing the bad guy by the odd vaguely menacing glance whilst lobbing in the odd f-word didn't go anywhere near enough to remove that gentle goody-goody image. The only hair-raising thing Andy Garcia seemed likely to have ever done would have involved a heck of a lot of gel, and the whole thing has a certain professionalism about the production that neutralised, effectively, anything gritty or sordid about their behaviour. I watched it because it is freezing cold, and it was on the telly - but I'm not sure that age has helped it much, and I think maybe I won't bother again.
Aug 26, 2023
Thematic Analysis
As a dramatic work, Internal Affairs examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Mike Figgis brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1990, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Internal Affairs took approximately 11 months from pre-production to final cut.
- With a budget of $15.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 115 minutes, though the director's initial assembly was reportedly 142 minutes long.
- The musical score contains over 40 unique compositions.
- The film contains approximately 938 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1990, when this film was released:
- Globalization was accelerating economic and cultural exchange.
- Digital technology was transforming the entertainment industry.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Internal Affairs shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Criss Cross, which focuses more on action than character development, Internal Affairs offers a fresh perspective through its innovative visual language and narrative structure.
While films like Rush Hour 3 and Rush Hour 2 explore similar territory, Internal Affairs stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: January 12, 1990
- Runtime: 1h 55m
- Budget: $15,000,000
- Revenue: $27,734,391