Cast
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Veronica Ferres
as Franziska Herr-Gross
Til Schweiger
as Hajo Heiermann
Joachim Król
as Dr. Enno Winkel
Liselotte Pulver
as Alma Winkel
Thomas Heinze
as Will Gross
Richy Müller
as Papai
Maren Kroymann
as Tootsie Schäufele
Esther Schweins
as Sonja Sonne
Armin Rohde
as Postbote
Heiner Lauterbach
as Viktor Lange
Jonathan Beck
as Willi
Marco Bretscher-Coschignano
as Franz
Arabella Kiesbauer
as Conferenciere
Burghart Klaußner
as Rudi Fährenberg
Anya Hoffmann
as Dorothea
Crew
Director
- Sönke Wortmann
Producer
- Martin Moszkowicz
- Bernd Eichinger
Reviews
Thematic Analysis
The Superwife represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Sönke Wortmann brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1996, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Superwife took approximately 4 months from pre-production to final cut.
- The final cut of the film runs for 86 minutes, though the director's initial assembly was reportedly 112 minutes long.
- The musical score contains over 56 unique compositions.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1996, when this film was released:
- Digital technology was transforming the entertainment industry.
- The internet was beginning to transform communication and information access.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While The Superwife shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Running with Scissors, which takes a more conventional approach to its subject matter, The Superwife subverts genre expectations by exploring its themes with greater nuance.
While films like The Last Kiss and Stepmom explore similar territory, The Superwife stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: March 6, 1996
- Runtime: 1h 26m
