Cast
View AllIce Cube
as Craig
Mike Epps
as Day-Day / Old Man with Shotgun
John Witherspoon
as Mr. Jones
Don Curry
as Uncle Elroy
Anna Maria Horsford
as Mrs. Jones
Clifton Powell
as Pinky
Bebe Drake
as Mrs. Pearly
K.D. Aubert
as Donna
Sommore
as Cookie
Rickey Smiley
as Santa Claus
Joel McKinnon Miller
as Officer Hole
Reggie Gaskins
as Officer Dix
Terry Crews
as Damon
Starletta DuPois
as Sister Sarah
Katt Williams
as Money Mike
Crew
Director
- Marcus Raboy
Writer
- Ice Cube
Producer
- Ice Cube
- Matt Alvarez
Reviews
Andre Gonzales
Not as good as the other two. Still has some very funny parts. I wish Smoky would come back for one. With him, Ice Cube, and Mike Epps altogether would be hilarious. Wishful thinking!
May 17, 2023
r96sk
<em>'Friday After Next'</em> is on the same level as the other sequel, so that's a good thing if you enjoyed this trilogy's previous entry. I didn't, so naturally didn't like this one either. In my opinion, this is a slight drop-off from last time out but for all intents and purposes it is just as boring.
Ice Cube and Mike Epps are as before, the same can be said for John Witherspoon and Don Curry. Terry Crews and Katt Williams are newcomers so at least add a minimal amount of freshness, those two are responsible for any minor chuckles that occur; possibly Bebe Drake too.
Sounds like a new entry, seemingly titled <em>'Last Friday'</em>, will be happening at some point in the future. Unless Chris Tucker returns, is it really worth it? There probably is an audience for it, in fairness.
Mar 6, 2025
Thematic Analysis
As a dramatic work, Friday After Next examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Marcus Raboy brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2002, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Friday After Next took approximately 24 months from pre-production to final cut.
- With a budget of $20.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 85 minutes, though the director's initial assembly was reportedly 117 minutes long.
- Some visual effects sequences took up to 12 months to complete.
- The screenplay went through 14 major revisions before the final shooting script was approved.
- The costume department created over 192 unique costume pieces for the production.
Historical Context
- In 2002, when this film is released:
- Digital technology was disrupting traditional media and entertainment.
- The September 11 attacks changed global security and politics.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Friday After Next shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Dancer in the Dark, which focuses more on action than character development, Friday After Next subverts genre expectations by exploring its themes with greater nuance.
While films like Christmas on Mistletoe Lake and The Rooftop Christmas Tree explore similar territory, Friday After Next stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: November 22, 2002
- Runtime: 1h 25m
- Budget: $20,000,000
- Revenue: $33,526,835
Where to Watch

