Cast
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Benoît Poelvoorde
as Ben
Rémy Belvaux
as Rémy
André Bonzel
as André
Jacqueline Poelvoorde-Pappaert
as Ben's Mother
Valérie Parent
as Valerie
Édith Le Merdy
as Nurse
Jenny Drye
as Jenny
Malou Madou
as Malou
Willy Vandenbroeck
as Boby
Nelly Pappaert
as Ben's Grandmother
Hector Pappaert
as Ben's Grandfather
Rachel Deman
as Mamie Tromblon
André Laime
as Bed-ridden Old Man
Sylviane Godé
as Rape Victim
Zoltan Tobolik
as Rape Victim's Husband
Crew
Director
- Rémy Belvaux
- Benoît Poelvoorde
- André Bonzel
Producer
- Benoît Poelvoorde
- André Bonzel
- Rémy Belvaux
Reviews
Filipe Manuel Neto
**A film very experimental and devoid of meaning, but with some notes of quality.**
I didn't like this film. It's a low-budget film, directed by Rémy Belvaux, which basically makes a kind of false documentary around the criminal and violent activities of a cruel and bloodthirsty killer, who accepts being filmed while he kills his victims. A film that looks like an academic work by a film student, and not something made for the public. It will certainly be an interesting film for film students and cinema critics, but it is not something I recommend to the general public.
The film has frankly positive points, starting with the excellent performance of Benoit Poelvoorde, who plays the main character and is the only character worthy of the name here. Everything else is extras or people who simply have to appear there. The realism is impressive and, at times, shocking, and the cinematography, in black and white, is very good and worked with creativity by the director.
The film's biggest problem is the feeling of amateurism and experimentalism that is felt at various moments. It's also one of those extremely violent films where everything happens without there really being a reason, a reason for being. Much of the film is a succession of violent crimes where there is nothing more than purposeless violence. The killer kills because he does, and it seems that the journalists following him are also filming because they have to film something.
Oct 28, 2023
Agustttt
One of the most amateur movies I have laid my eyes on.
This entire movie is an agonizing display of the directer/writer's alter ego, over acted and over the top with violence. Everything feels pointless, and the ending really exasperates that.
Also, as a warning there's an entire gang rape scene.
Oct 28, 2024
Thematic Analysis
Man Bites Dog represents a fascinating example of Comedy/Crime cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Rémy Belvaux brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1992, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Man Bites Dog took approximately 15 months from pre-production to final cut.
- With a budget of $0.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 96 minutes, though the director's initial assembly was reportedly 135 minutes long.
- The screenplay went through 9 major revisions before the final shooting script was approved.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- Some visual effects sequences took up to 8 months to complete.
Historical Context
- In 1992, when this film was released:
- Digital technology was transforming the entertainment industry.
- The internet was beginning to transform communication and information access.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Man Bites Dog shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Burying the Ex, which focuses more on action than character development, Man Bites Dog subverts genre expectations by exploring its themes with greater nuance.
While films like The Idiots and Wild at Heart explore similar territory, Man Bites Dog stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: August 20, 1992
- Runtime: 1h 36m
- Budget: $33,000
- Revenue: $205,569
Where to Watch
