Gioconda/Film (1999)

Theoretical experiment that uses the technique of picto-cinematography, win which “the search for the temporal objective duration of painting” stands out; this comes to us via its real measurements on a 35mm film. This technique allows us to get “a new vision of a pictorial work” within a temporal duration defined by cinematographic means. In this experiment, the same image of the painting remains in emulsion on the optical soundtrack, thus generating a sound. — AP