Star Trek: First Contact (1996)

_**Solid Next Generation Trek film with The Borg**_

Released in 1996 and directed by Jonathan Frakes, "Star Trek: First Contact" features The Next Generation characters taking on the Borg, a collection of species that have been turned into cybernetic organisms functioning as drones in a hive-mind called the Collective. In order to escape imminent destruction by the Federation, a Borg mini-ship flees back in time to 2063 to prevent the renowned Zefram Cochrane (James Cromwell) from accomplishing the initial warp drive and the subsequent first contact with an alien race, which later paved the way for the Federation of Planets. Alfre Woodard has a key role as a colleague of Cochrane.

The Borg are an excellent villain and one of the greatest contributions of The Next Generation TV series...

Good watch, could watch again, and can recommend (at least for dedicated "Star Trek" fans).

My favorites aspects of all of "Star Trek" are The Borg, and the artificial entities like Data. This movie potentially ruins both of them, depending on who you ask. Also, time travel is the worst.

I would have been much happier if we hadn't bothered with time travel as that creates a lot of other questions about why The Borg haven't utilized it before if they had such technology.

The investigation of humanity in The Borg and Data are pretty interesting though, seeing Data find what it is to FEEL is a great, but seeing The Borg personified into a single entity to which one can converse is odd, at best.

Seeing the Enterprise defend against Borg assault was fun, but none of the "First Con...

Really solid and suspense-filled Star Trek film. Seen this one once before and still holds up along with the visual effects which were decent for its time. This is also the first complete TNG feature and unlike Generations, did feel like a movie rather than two-part episode. 4.0/5...

Interesting how this film divides opinion like no other from this franchise. It is my least favourite (except perhaps "The Final Frontier") as it does attempt to impose a morality that is well beyond the scope of the talent involved - both on screen and at the typewriter. The effects are certainly special, but even with the quirky contribution of James Cromwell I'm struggling to think of this as anything better than a longer episode of "Next Generation" with all of it's pseudo-intellectual idealism. Like so many films directed by and starring their stars; objectivity is sometimes first under the bus - I fear that is the case here....