Babette's Feast Poster

Babette's Feast (1987)

G 08/11/1987 Drama 1h 44m
72%
User
Score
7.8/10
97%
78/100

Artistic, sensual and sacred passions unite in Babette's Feast.

Overview

A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.

Gabriel Axel

Director

Top Billed Cast

Stéphane Audran

Stéphane Audran

Babette Hersant

Bodil Kjer

Bodil Kjer

Filippa

Birgitte Federspiel

Birgitte Federspiel

Martine

Jarl Kulle

Jarl Kulle

Gen. Lorens Löwenhielm

Jean-Philippe Lafont

Jean-Philippe Lafont

Achille Papin

Bibi Andersson

Bibi Andersson

Swedish Lady-in-Waiting

Ghita Nørby

Ghita Nørby

Narrator (voice)

Asta Esper Hagen Andersen

Asta Esper Hagen Andersen

Anna

Thomas Antoni

Thomas Antoni

Swedish Lieutenant

Media

Three Reasons: Babette's Feast

Three Reasons: Babette's Feast

Babette's Feast (1987) - trailer

Babette's Feast (1987) - trailer

Babette's Feast (1988) Trailer

Babette's Feast (1988) Trailer

'Babette's Feast' | Critics' Picks | The New York Times

'Babette's Feast' | Critics' Picks | The New York Times

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Reviews

A review by CRCulver

Written on September 12, 2018

Based on a Karen Blixen story, <i>Babette's Feast</i> is a heartwarming tale of generosity in 19th century Denmark. As the film opens, we are introduced to Martine and Philippa, daughters of a charismatic preacher in a tiny Jutland village. Dedicated to their father's work, they turn down the courtship of a Danish officer and a French musician. Decades later, the musician sends them Babette, a refugee from the destruction of the Paris Commune, in the hope that the sisters can shelter her and employ her as a maid. When she wins an annual lottery, Babette decides to put on a feast for her employers, but no one expects the depths of selflessness she goes to.

<i>Babette's Feast</i> is entertaining enough, and it gives an idea of just how dull and messy life in Jutland was at this time. The ...

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A review by r96sk

Written on February 15, 2024

Well, <em>'Babette’s Feast'</em> is exactly what it says on the tin, that's for sure.

It is a film that I'd personally refer to as 'good', though my interest did ascend and descend interchangeably throughout. The religiously and sing-y scenes were the parts that kinda lost me if I'm honest, but there is still enough there that I had a fine time seeing unfold - the characters for one, and then the final feast itself is decent viewing.

Stéphane Audran is the best performer onscreen, I enjoyed her showing. The actresses that play Filippa and Martine, both younger and older, are solid. Beyond them, the rest of the cast all kinda merge into one in my memory as being alright. It's very much all about Audran, I'd say.

I do like how the film unfolds and what it has to end up saying, th...

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A review by Wuchak

Written on August 15, 2024

**_The moment when “Mercy and truth… have kissed each other”_**

In a northern Jutland village, two daughters of a pietistic Lutheran pastor are dutiful spinsters by 1871 (Bodil Kjer and Birgitte Federspiel) when they take-in a Parisian refugee who “can cook” (Stéphane Audran). Fourteen years later, the latter insists on banquet for the dwindling congregation and a Hussar general, a former suiter of one of the sisters from decades earlier (Jarl Kulle).

A Danish production, “Babette’s Feast” (1987) was based on the short story by Isak Dinesen, aka Karen Blixen, who’s also known as the author of “Out of Africa.” I point that out because this has the same quietly dramatic tone, just transplanted to a family of ascetic rural Protestants in 1800’s Denmark.

To en...

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A review by CinemaSerf

Written on July 3, 2025

Now if you’re not up for a genuine dose of human kindness then this isn’t going to be a film for you. It’s all about the young “Babette” (Stéphane Audran) who has been taken in by a pair of spinster sisters who, despite plenty of opportunity, found themselves tied to their preacher father’s apron strings throughout his life, and who are now living life largely just waiting for it’s end. “Filippa” (Bodil Kjer) and “Martine” (Brigitte Federspiel) take after their father and are deeply religious in a community where the kirk is central to daily life, and so it seems the Christian thing to do to take in the struggling young girl who is fleeing from the slaughter of the Franco-Prussian war. Never thinking for a moment that she would ever be able to repay their kindness, s...

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