The Matrix Revolutions

User Score
Votes
Share
Rate

The Matrix Revolutions Overview

The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.

Who Stars in The Matrix Revolutions

Keanu Reeves
Thomas "Neo" Anderson

Keanu Reeves

Laurence Fishburne
Morpheus

Laurence Fishburne

Carrie-Anne Moss
Trinity

Carrie-Anne Moss

Hugo Weaving
Agent Smith

Hugo Weaving

Mary Alice
Oracle

Mary Alice

Helmut Bakaitis
The Architect

Helmut Bakaitis


Recommendations

The Matrix Reloaded
Terminator 3: Rise of the Machines
Mission: Impossible
Terminator Salvation
Minority Report
Mission: Impossible II
Mission: Impossible III
Die Hard 2
The Bourne Identity
Die Hard: With a Vengeance
Live Free or Die Hard
Armageddon
The Chronicles of Riddick
Quantum of Solace
Terminator 2: Judgment Day
The Matrix
The Mummy
Blade
Independence Day
Gone in Sixty Seconds

Review for The Matrix Revolutions

Author: NeoBrowser

And so the much-hyped Year Of The Matrix comes to an end. Truthfully, though, the real Year Of The Matrix was 1999, when the groundbreaking original proved to be the right film in the right place at the right time. Tapping into the cultural zeitgeist and Y2K fears about the power of machines over mankind, The Matrix not only revitalized slo-mo action sequences with its 'bullet-time' style, it had a political relevance that already seems dated in a 21st century world dominated by a war against terror, not technology. The Matrix Reloaded, for all its faults, did try to up the ante, both in its creation of a wider Matrix myth and its budget-heavy effects. Revolutions, however, is content to follow in its wake, the final couple of hours of a four-and-a-half hour slab to which the original movie, in the makers' minds, is but a pre-title sequence. Granted, there's less philosophical babble and more emphasis on action in Revolutions, but the Wachowskis, having backed themselves into pseud's corner, can only deliver with a formula where spectacle and pretentiousness follow on from each other in steady succession. Gut thrills and intellectual stimulation are never integrated as one. Revolutions' sustained action set-piece - the Sentinels' attack on Zion - is undeniably exciting, but it sure doesn't feel like an episode from a close sequel to the original Matrix. For a start, Zion was off-screen for the entire first movie. Secondly - and dramatically more importantly - this centerpiece relegates the main characters to, at best, mere bystanders. Neo and Trinity are off on a mission of their own. Morpheus - now dressed in what looks like a burgundy Benetton jumper rather an outfit consistent with his standing as the coolest dude on (or under) the planet - takes a literal backseat to Niobe's driving. Instead, the key players are the Kid, whose backstory is apparent only to those dedicated enough to watch The Animatrix cartoons, and Mifune, whose on-screen impact is unfortunately as brief as it is memorable. That such a primary scene is completely filled with secondary characters isn't just disappointing - it's damaging, because it draws attention away from the protagonists' climactic acts. Basically, this is the bit you remember, more than Neo's vital conversation with the Wizard Of Oz-like face of the machines or his up-in-the-air fisticuffs with Smith (a fight whose sfx impact has dwindled following Reloaded's Burly Brawl). Some viewers will indeed be completely satisfied, their questions answered, as the final credits roll, but they're the ones who have done their homework. Without filling in plot gaps by watching The Animatrix or playing derided computer game Enter The Matrix, a sense of confusion reigns. And those who are confused can't emotionally engage with the characters, thus rendering any amount of sacrifices and love themes null and void. In the original film, the casual viewer could relate to a slave race of pod people and their need to be freed, but the Wachowskis seem to have moved the goalposts as the story has progressed, sidelining what began as a focal point of the plot. In other words, few box-office-storming blockbusters have been aimed so consciously at such a narrow and precise cult audience. The Year Of The Matrix will be remembered as an indulgence for fans, while the original movie will be affectionately held as a separate entity by a bigger crowd. Verdict - What once represented the future of science fiction cinema has become little more than a solid genre offering. But, hey, it wasn't supposed to be the Second Coming, was it? Oh, hang on... 3/5 - Empire Magazine


Part of the The Matrix Collection

View the collection

Images related to The Matrix Revolutions

Production


Silver Pictures


Village Roadshow Pictures

NPV Entertainment


Warner Bros. Pictures


Facts

Status
Released

Release Date
2003-11-05

Original Language
English

Runtime
2 hr 09 mins

Budget
$ 150,000,000.00 (Estimated)

Revenue
$ 424,988,211.00 (USA)

Profit
$ 274,988,211.00 (Estimated in USA)

Genres
Adventure Action Thriller Science Fiction

Keywords
saving the world artificial intelligence man vs machine flying philosophy fortune teller martial arts kung fu underground world killer robot temple subway dream sun hero fight sunlight computer virus key future precognition super computer machine town ying yang dying and death virtual reality dystopia computer faith world religion truth rescue mission cyberpunk yin yang gnosticism trans director


What do you think of this movie?