A Clockwork Orange

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A Clockwork Orange Overview

Demonic gang-leader Alex goes on the spree of rape, mugging and murder with his pack of "droogs". But he's a boy who also likes Beethoven's Ninth and a bit of "the old in-out, in-out". He later finds himself at the mercy of the state and its brainwashing experiment designed to take violence off the streets.

Who Stars in A Clockwork Orange

Malcolm McDowell
Alexander DeLarge

Malcolm McDowell

Patrick Magee
Mr. Alexander

Patrick Magee

Adrienne Corri
Mrs. Alexander

Adrienne Corri

Michael Bates
Chief Guard

Michael Bates

Warren Clarke
Dim

Warren Clarke

James Marcus
Georgie

James Marcus


Recommendations

Full Metal Jacket
2001: A Space Odyssey
Taxi Driver
The Shining
Reservoir Dogs
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Apocalypse Now
Trainspotting
Eyes Wide Shut
One Flew Over the Cuckoo's Nest
Psycho
Fargo
The Big Lebowski
American Beauty
No Country for Old Men
Raging Bull
Jackie Brown
American History X
Scarface
Mulholland Drive

Review for A Clockwork Orange

Author: talisencrw

As time goes by, I'll always appreciate my Grade 10 English class (1984-85), taught by Mr. Terry. Looking back, it's probably the year that I was introduced to the most great literary works of all my life (especially 'Anthem' by Ayn Rand and 'Nausea' by Jean-Paul Sartre). Included that year in the course's curriculum was Anthony Burgess' dystopian masterwork, 'A Clockwork Orange' (as well as George Orwell's 'Animal Farm'--like Frank Sinatra would have said, 'It was a very good year'). I was mesmerized with it from the instant I noticed the unique approach to language, the 'ultraviolence' and of course, the eternal question of free will, its relationship to good-and-evil, and the can of worms of the myriad of ethical dilemmas that comes to the fore of individual freedom and rights versus that of society at large. The genius of Burgess was being able to put so well and forcibly, yet in such an entertaining way, so many issues that, had most anyone else set forth on the endeavor, would have come up with the type of off-putting, heavy-handed sermon that would never have reached such a literary pinnacle, and been required reading even now, generations later. It hasn't aged or dated a day. Most cinematic observers felt the book unfilmable. Director Kubrick's adaptations work so well, particularly this, '2001: A Space Odyssey' and 'The Shining' (even though Stephen King would fervently disagree about the latter) because he, as he did with 'Dr. Strangelove', can so easily both find unforgettable visual metaphors for his ideas and so handily combine humour (an under-recognized trait of his, much more readily associated with say, Sir Alfred Hitchcock) with these heavy and daunting philosophical and intellectual volleys. In the wrong hands (particularly a Stanley Kramer, or his ilk), this could have failed miserably, like typical cinematic treatments of Ayn Rand novels. But this worked triumphantly, and heartily exemplifies one of the greatest directors ever at the apex of his craftsmanship. No self-respecting cinephile can avoid this movie, and I heartily recommend you to read the novel as well, though Kubrick nails it so effectively, reading the novel isn't necessary in the slightest for the film to be enjoyed. One of the many 'gamechanger' films of Kubrick's storied and remarkable career.


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Production

Hawk Films


Warner Bros. Pictures


Facts

Status
Released

Release Date
1971-12-18

Original Language
English

Runtime
2 hr 16 mins

Budget
$ 2,200,000.00 (Estimated)

Revenue
$ 26,589,000.00 (USA)

Profit
$ 24,389,000.00 (Estimated in USA)

Genres
Science Fiction Drama

Keywords
prison street gang rape adolescence sexuality beethoven parent child relationship great britain social worker living together society dystopia satire controversy controversial violence cult film futuristic society


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